A Quote by Carmine Appice
I just started playing around different clubs, and I got a good reputation around New York City of having good timing, a good right foot, and I was "funky", "soulful", and all that stuff. Then I ran into this group, the Pigeons.
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When I got to New York City when I was 18, I started playing in clubs in Brooklyn - I have good friends and devoted fans on the underground scene, but we were playing for each other at that point - and that was it.
I was always singing but didn't plan on pursuing it seriously. When I got to New York City when I was 18, I started playing in clubs in Brooklyn - I have good friends and devoted fans on the underground scene, but we were playing for each other at that point - and that was it.
I actually started playing in little cafes around New York, and I have a lot of good friends of mine who are musicians who are struggling in New York.
I remember doing this little physical gesture of holding up my foot and having my foot wave around while I held my ankle. It got a big laugh, and when people started laughing, it dumped some chemicals on my brain. It just felt so good.
When I was in New York, I took my bike everywhere for transportation. I didn't have a fixed-gear bicycle, like a lot of the messengers do, but I had a stripped-down deal - having lost a few good ones in New York - and I did 10 to 15 miles a day just getting around the city.
Woody Allen stayed so good because he never left New York. Howard Stern stayed so good because he never left New York - Mel Brooks when he just got out of New York was doing 'Blazing Saddles;' when he left New York he started doing stuff like 'Robin Hood Men In Tights' - he was in L.A. too long. He lost the edge.
When I got my MacBook, I started playing around with Garageband a lot. It was just a creative outlet. I put everything into it. I would skip all my classes just to be making my songs. Stuff like that made me feel good.
I cycled when I was at high school, then reconnected with bikes in New York in the late '70s. It was a good way of getting around the clubs and galleries of the Lower East Side and Soho.
I gave birth to my first son in April 1986. I thought it would be a good goal to get back in shape after having a baby if I ran the New York City Marathon. I ran in it November 1986. I had just shot the 'Sports Illustrated' swimsuit issue, so I was in great shape.
I got into playing the jazz. I played jazz for a good while. I did the popular stuff first. You got the "Twelfth Street Rag" and those kinds of things. Then I got to hanging around with a bunch of guys starting to playing jazz. We'd go from one place to the other and take our instruments, just perform for free.
There was so much good and different music back then and you'd just keep moving through it and discovering more new stuff. I went through my Black Sabbath phase before I even started playing guitar.
When I was in New York, I put together a show; I put together this really great band and performed at this place called Littlefield in Brooklyn. It was really fun. I did, like, 10 standards, and then I just hopped around different bars like Mona's and different jazz clubs in New York just singing because I know all the standards so well.
I went to really good New York City public schools that had arts programs. So in junior high, I got into the drama department. From there, I went to a performing arts high school in New York City called Laguardia and I just kind of fell into the professional side by happenstance.
Guys don't know it - it is New York. It's different from playing in other states. Playing here in New York is different. No way you get around it.
Right now, I'm thinking in terms of just having a good band, man. Having a good act for the stage. Being a good performer, you know? Connected to that is future recordings, and future tunes, that kind of stuff.
I love playing the Hard Rocks; they've got a great stage, great lighting, great sound, and not so humongous; its more intimate, so we love playing theaters and clubs where the audience has a really good chance to see and hear the group and where the acoustics are good. I like it when we can hear what we're doing.
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