A Quote by Carmine Coppola

I have written symphonic poems and chamber music. It is my way of personal expression. — © Carmine Coppola
I have written symphonic poems and chamber music. It is my way of personal expression.
Classical music fulfills for me the function of narrative. I spend 90 minutes a day listening to symphonic music - Beethoven to Bartók - some chamber pieces, and that's my enrichment.
I don't let a poem go into the world unless I feel that I've transformed the experience in some way. Even poems I've written in the past that appear very personal often are fictions of the personal, which nevertheless reveal concerns of mine. I've always thought of my first-person speaker as an amalgam of selves, maybe of other people's experiences as well.
I don't think all poems need to be written in conversational language - those are often great poems but there should also be poems of incoherent bewilderment and muddled mystery.
I write poems, have always written them, to transcend the painfully personal and reach the universal.
The chamber music repertoire is so vast that if one is genuinely curious about music, the art of listening, understanding and responding to a score, the elementary skills and requirements of chamber works are easily applicable to that of any solo playing.
Mozart has written opera, symphony, sacred and chamber music - not to mention his piano and violin concerti.
Attempts to put my poems to music have had disastrous results in all cases. And the poem, if it's written with the ear, already has been set to its own verbal music as it was composed.
I had written here and there about my mother in my poems. There are poems for her in my first and second books.
Deep inside I feel that this world we live in is really a big, huge, monumental symphonic orchestra. I believe that in its primordial form all of creation is sound and that it's not just random sound, that it's music. You've heard the expression, music of the spheres? Well, that's a very literal phrase. In the Gospels, we read, "And the Lord God made man from the dust of the earth and breathed into his nostrils the breath of life and man became a living soul." That 'breath of life' to me is the music of life and it permeates every fiber of creation.
The music is a personal expression, like art. It is something that you like doing that comes from within, and is an expression that comes from God. That is why artists are beautiful and why people who copy are not really artistic.
If poems very different from my own bring pleasure to a group of readers, who am I to say that the poems should have been written differently?
I heard a lot of different kinds of music. I heard country music, I heard jazz, I heard symphonic music, opera, everything you can think of except very modern music.
If you can find two poems in a book, it could be a pretty good book for you. You know, two poems you really like. There are some poets who are fairly big names in contemporary poetry and who write a book and I might like three or four poems in the book, but the rest of them don't appeal to me personally; but I think that's the way it really ought to be. I think it's really a rare thing to like everything that somebody has written.
I like philharmonic music a lot. That kind of symphonic music has always been an integral part of the arrangements in many of my songs and background scores.
When I worked on a magazine, I learned that there are many, many writers writing that can't write at all; and they keep on writing all the cliches and bromides and 1890 plots, and poems about Spring and poems about Love, and poems they think are modern because they are done in slang or staccato style, or written with all the 'i's' small.
I started directing chamber orchestras, then adding bigger pieces, adding winds, adding small symphonies. I've always loved chamber music, and I've done a lot.
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