A Quote by Carnie Wilson
I want to get into voice-overs.
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To be honest, there is a special gift for doing voice-overs, and the people who did the voices in the 'SpongeBob' cast are excellent at cartoon voice-overs, and they bring something extra to the reads.
Between 50 overs and 20 overs, there is a big difference, because there is 30 extra overs of fielding and six extra overs to bowl, and that can take its toll.
With voice overs... you're not thinking about the camera. So your voice becomes this thing that you can manipulate. And depending on the character you're doing, it's all concentration on your voice.
In my career, I have done more than a thousand voice-overs in commercials, cartoons, and radio shows, so I'm very familiar of my voice capabilities and its range.
I loved the opportunity to just transform my voice. I loved the idea of doing impressions and mimicking and playing around with the spectrum of your own voice. That's what I enjoy most about doing voice-overs.
While voicing animations I use the same acting muscles, even more because you have to channel all into your voice, whereas when you're live-action you get props and scenery and other actors and your facial expressions and what happens to help you. It's not necessarily easier as an actor to do voice-overs, it's easier as a person.
I love doing voice-overs; I wish I could do more of them. It's a lot of fun to see how they take the voice and animate it and try to capture your own expressions and features. It's fascinating.
I earn a lot of money in England doing voice-overs, especially in documentaries. Turn on the Discovery Channel here, and you'll hear my voice a lot. It subsidizes my vice of acting in the theater.
Most of the time, with voice-overs, you're recording before they've got the graphics, and you also don't get a whole script. I get my lines, as I show up that day. You don't know what the rest of the story is, so you really rely on the people in the room that you're working with, so they can fill you in on what's going on, right around your particular lines.
I'm hoping to have a huge future in voice-overs. For years, people have said, 'I recognized your voice before I recognized your face!'
When I started out in Canada, I did a lot of voice-overs and commercials.
I did commercials and voice-overs as a kid, and it just lead to musical theatre opportunities.
As an actor I kind of do. I started out doing voice overs in the mid 80s when I was in grad school.
You have to do all kinds of things like voice-overs, corporate gigs, and edit videos to support yourself.
I can do lovers. I can do Sir Galahad types. I'm not going to limit myself in voice-overs to irascible old men.
I don't need the credits for playing the blues and paying the dues. I've already done it. There are some other things to do here - movies and scores and voice-overs.
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