A Quote by Carol Berg
Some reviewers call my stories dark - and yes, there is violence and angst, and the stakes are high - but I like to think that the endings are satisfying and hopeful.
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I'm a hopeful romantic who adores novels with happy endings, because there are enough sad endings in real life.
You can do weird things on TV - there are happy stories, sad stories, dark stories. But with a movie, it always has to end satisfying. Unless you're the Coen brothers, and it ends with somebody getting shot in the head.
Well, life is dark. We live in a very dark world. When they call them "dark films" it annoys me, because they're very real stories. They're stories I have seen or experienced or witnessed, and coming from that place, that is the hope of humanity.
So yes I know how angry, or naive, or self-destructive, or messed up, or even deluded I sound weaving my way through these life stories at times. But beautiful things. Graceful things. Hopeful things can sometimes appear in dark places.
I think that television lately has been extremely dark and, in some ways, cynical but I also think that people who are writing those shows probably feel exactly as I do - that sometimes the darkness of a story can highlight the light in a story. There's a lot of cynical stuff but I think it may be even more in movies now where you see so many movies about cynical and corrupted characters. That's the state of many movies right now but movies, television, all of culture, there's always going to be a battle between the stories that are cynical and stories that are hopeful.
I am hopeful, though not full of hope, and the only reason I don't believe in happy endings is because I don't believe in endings.
'Zero Dark Thirty' raised the stakes. It raised the stakes in cinema, man. I don't think people really know how to grasp what type of film this is.
It is nice when things end. That is what stories do - they end. It is hard to write endings and it is hard to come to the end of things, but I think when it is done right, it is a very satisfying way to appreciate something.
Good stories are driven by conflict, tension, and high stakes.
When we're young, we like happy endings. When we're a little older, we think happy endings are unrealistic and so we prefer bad but credible endings. When we're older still, we realize happy endings aren't so bad after all.
The stakes are so high because auditions are make or break. You get the job or you don't. The stakes are about as high as they get, for yourself and your own self-esteem.
I got a little bit of a sense for the subculture, which is the equivalent of any subculture, really. The stakes are high, even if you live in a small town. It's like the annual bass fishing contests, or whatever it is. The stakes are always absurdly high, and this is no different. The competition at this butter carving things, from what I understand, is not that far off from what we're depicting in the movie.
Some stories don't have happy endings. Even love stories. Maybe especially love stories.
The last element in drama is high stakes. War, of course, is life and death - survival, not only for the story's characters, but often for the society itself. That's why I'm drawn to stories that are built around wars, even if they're not technically "war stories."
I think all true stories are hopeful stories. I don't think there's any room for nihilism.
I'm urging NASA to foster the development of what I call 'runway landers.' No, that's not the name of a high stakes gambler from Vegas. It's a type of spacecraft that flies to orbit like the retiring Shuttles but then glides to a landing like an airplane on a runway. Just like the Shuttles do.
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