A Quote by Carol Berg
There is one plot point in one of the 'D'Arnath' books that I don't think I handled as well as I could have. Am I going to tell you which one? No way!
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How hard could it be? Is it really going to hurt? You get into that deep well of emotion if you are by yourself. Why am I here? What's the point of going on? If I can't do what I want to do, then what's the point?
I'm going to be on a mission. I've handled my personal vendettas and handled them well. Every challenge you put in front of me, I've handled it, dismantled it - ate them, dropped them off in the bathroom and flushed them away.
Chris Claremont once said of Alan Moore, "if he could plot, we'd all have to get together and kill him." Which utterly misses the most compelling part of Alan's writing, the way he develops and expresses ideas and character. Plot does not define story. Plot is the framework within which ideas are explored and personalities and relationships are unfolded.
I remember everyone telling me I had to think positive when I was writing my first book. If I believed I could do it, then I could! If I pictured myself published, then it was going to happen! Which sounded great, except...could I do it? If I didn't think I could, was I doomed to fail? What if I was almost totally sure I would fail? I am here to tell you-what matters is sticking with it.
Not only a great game, 'Uncharted 2' raised the bar for storytelling for the medium. The game treated action as a part of the overall story rather than a way to move from plot point to plot point.
Plot is just not my gift. I'm fascinated with complex characters, and that doesn't mix well with complex plots. And by the way, when the plot is simple, you can move one piece around and make it feel fresh. Hell or High Water's a good example: I don't tell you why the brothers are robbing the bank.
I would prefer to have one comfortable room well stocked with books to all you could give me in the way of decoration which the highest art could supply.
If you're not embodying and living in who you are, you're going to have - it's going to be like fragments. You're going to have all these different aspects and sub-personalities that don't get managed and handled. That don't get managed and handled. And I think that's probably a lot of the agony that comes in death.
I think you have to have a real point of view that's your own. You have to tell it your way. And, I think that it's a mistake to shoot for a specific magazine's point of view because it's never going to be as good. You have to shoot for yourself and photograph [ the way] you believe it.
You know what I am going to say. I love you. What other men may mean when they use that expression, I cannot tell. What I mean is that I am under the influence of some tremendous attraction which I have resisted in vain, and which overmasters me. You could draw me to fire, you could draw me to water, you could draw me to the gallows, you could draw me to any death, you could draw me to anything I have most avoided, you could draw me to any exposure and disgrace. This and the confusion of my thoughts, so that I am fit for nothing, is what I mean by your being the ruin of me.
I did the first Parker novel, in which he got caught, and the editor at Pocket Books took me to lunch and said, 'Is there any way that this guy could get away at the end, and you could do three books a year for us?' And I said, 'I think so.'
Well, I'm drawn to stuff that is darker. I will probably do a version of Jane Austen at some point because her books are really well known. Unfortunately they've been parodied to death, but they're so well known that I feel like I should approach it and I think I have an idea that will definitely spin it in a different way. There's melancholy and sadness around the edges. I haven't read all of her books, but it seems they often have... essentially happy endings?
Each time I'm starting to work on a film, even if I love to settle the plot in the real world, I start to think about the plot as a fairy tale, or a dream, or a nightmare... As if it was the best way to tell the truth about characters or narration, instead of realism.
I think you want a little unofficial help. Three undetected murders in one year won't do, Lestrade. But you handled the Molesey Mystery with less than your usual - that's to say, you handled it fairly well.
It's easy to get depressed and think, "Well, what's the point?" But it's the same as, "Well, we're all going to die, so what's the point in brushing my teeth or even saying hello to anyone or obeying traffic lights." You can do that, but that's certainly not going to take you anywhere.
I think, you know, we always tell candidates, show, don`t tell, what you`re all about. I think Hillary Clinton's speech was an important speech that people are going to look at and they`re going to see not just the attacks on Donald Trump, but also her admission that maybe she`d been part of the polarization problem as well and she could do better.
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