A Quote by Carol Burnett
I had a good loud voice and I wasn't afraid to be goofy or zany.
Related Quotes
I had a real stage school voice and I could do loud things, but it's not about being loud, it's about sensitivity and subtlety in music. You can do so much more with a quiet voice than with a belter.
ZANY, n. A popular character in old Italian plays, who imitated with ludicrous incompetence the _buffone_, or clown, and was therefore the ape of an ape; for the clown himself imitated the serious characters of the play. The zany was progenitor to the specialist in humor, as we to-day have the unhappiness to know him. In the zany we see an example of creation; in the humorist, of transmission. Another excellent specimen of the modern zany is the curate, who apes the rector, who apes the bishop, who apes the archbishop, who apes the devil.
I grew up in a very loud family where you had to fight to get your voice heard, in a good way.
Along the way, I've had different advice from different music producers. I've been told to tone it down, that the quiet parts of my voice are appealing and there's harshness to the loud part of my voice.
When I was young, my voice was so strong, and I would annoy people because I had such a loud little voice. And then it changed, and I thought I wouldn't be able to sing again, because I thought you had to sing like Christina Aguilera to be a singer.
I had years of therapy to recover from this. A lot of it had to with being a people pleaser, being the ultimate good girl. I wanted everyone to like me. I didn't really have a voice. I was afraid of growing up.
I think that the line between television and features started to blur a couple years ago. The standards started to become the same, which is that the idea had to be very loud. The show didn't have to be loud; the idea had to be loud. It had to cut through the clutter.
People say I play real loud. I don't, actually. I'm recorded loud and a lot of that is because we have good engineers. Mick knows what a good drum sound is as well, so that's part of the illusion really. I can't play loud.
The voice of the Spirit is described in the scriptures as being neither loud nor harsh, not a voice of thunder, neither a voice of great tumultuous noise, but rather as still and small, of perfect mildness, as if it had been a whisper, and it can pierce even the very soul and cause the heart to burn. The Spirit does not get our attention by shouting.
Leadership is loud. It is quiet. It is thoughtful and emotional and cerebral and nerdy and goofy and joyful and motivating.
I had no reason to get all goofy, just because the man was too good-looking for his own good.
A woman with opinions had better develop a thick skin and a loud voice.
When I had my first voice lesson I was 15 years old. And I had a really good teacher. This is what made all the difference. A good teacher will teach you the technique, but also how to listen to your voice.
Working with the brothers can put pressure on my voice, so I choose to do my own solo thing so I can save my voice. I couldn't do both now. The Neville Brothers is a funk band; they play loud, and I have a strong voice.
The colored man is in the South to stay there. He will not leave it voluntarily and he cannot be driven out. He had no voice in being carried into the South, but he will have a very loud voice in any attempt to put him out.
A loud voice cannot compete with a clear voice, even if it's a whisper.
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