A Quote by Carol Burnett
I loved doing 'The Family' with Eunice and Mama. They were very interesting because there were no jokes written into those sketches. It was all character-driven. And sometimes it got a little heavy.
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I think the Mama people remember is from 'Mama's Family.' She really turned into a pretty cool character. The sketches from the 'Burnett' show, if people are old enough to remember, were written by writers who all hated their mothers.
Oh, my mama was awesome. Very strict, overreligious, loved the Lord, loved rules. But she had to be that way because of where we were growing up, the neighborhood I was from.
No other show was as absurd as 'Crackerjack'. It had Stu Francis, who was the first person I saw on TV telling jokes for kids, and then there were the Krankies, who were a comedy duo with a middle-aged woman dressed as a schoolboy doing sketches.
Looking back, I remember my family laughing a lot. We were never the kind of people that dwelled on hard times. My family laughs when things are tough. Growing up like that, I got used to making jokes about things that were difficult. So when I started doing stand-up, that's what I went towards.
I tended toward animated material that wasn't just for kids. I could tell as a kid watching those shows that I loved the jokes that I got but I also loved the jokes I didn't get because I felt that I was hanging out with a smarter, cooler audience.
I've written four jokes ever about cakes. But because they were show jokes, they were on the telly a lot. And everywhere I go people give me cupcakes. I don't eat them, I give them away.
I was inspired by comedy channels. I loved that they got to do sketches and could be funny and crude and make people laugh. But most of those channels, if not all of them, were done by guys.
I talk a lot about the men in my family because my mother died when I was little, and my grandmother died when my aunts were little, so we didn't have those kinds of heads of household. But all the members of our household who were female were sort of living as equal and as wise as the male figures in our family.
Looking back, when my cousins and I were kids, we'd put together these little skits - these 10-minute improv scenes. I didn't really understand what I was doing - that I was writing these mini-sketches and acting - but we were all totally into it.
Billie Joe Armstrong of Green Day always says we were influences on him, because he does melodic but distorted, like what we were doing. The Ramones were doing it. We were doing it. The Buzzcocks, all those bands.
Our songs were not written to be listened to in headphones or on the radio. They were written to be played. All of the little infinite detail that went into the arrangements and giving ourselves lots of breathing room in terms of playing what we wanted to play and using up any ideas that we had - all of those were conceived to be performed.
The jokes I used to do on 'Sex and the City' were always comic character things, and they were rarely hard jokes. As soon as you go up in front of people, it demands laughter.
The two things that I thought were really interesting about this character [Bow] for me were that she actually loved her husband, and he loved her. The comedy was not coming from the fact that they hated each other. Which is what television couples are usually based on.
In middle school, I started to draw, and my pencil sketches were huge. They were these 4ft by 3ft drawings, and I got a lot of attention for that, so that was very validating. But I didn't start cartooning until I was in college.
I learned all those jokes in second grade. Second grade is really where they tell you those horrific jokes, racist jokes and misogynistic jokes that you have no idea what they mean, and you just memorize them because they have a very strong effect, they make people laugh in this kind of nervous, horrible way, and it's only later that you realize that you've got a head full of crap.
My dad left when I was a little boy and I grew up with my mother's family. There were foundations in the U.S. where Jewish people got together and sent money to Cuba, so we got some of that. We were a poor family, but I was always a happy kid.
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