A Quote by Carol Burnett

You have to really want it, and don't take it personally if you don't get a job. Because sometimes you're not the type. And sometimes it's somebody else's turn. — © Carol Burnett
You have to really want it, and don't take it personally if you don't get a job. Because sometimes you're not the type. And sometimes it's somebody else's turn.
I don't think I avoided being type cast, because I do sometimes get similar roles. It is not a bad thing because we are strong at what we are strong at, not meaning that we cannot do other things, but sometimes somebody else might bring a little more realism than you, because that is more of who they are than who you are. I do get a chance to play other people and other types of roles.
I live in Virginia alone, and sometimes there's too much time to think. So you turn on the TV, but sometimes that don't do, so you turn the music on, and sometimes that don't do, and so you try and write a song, and sometimes that don't do... So you just take it as it comes.
If the idea is you're working at a job solely to pay the bills because you have ambitions to do something else, if you're not actively trying to do that other thing, you've gotta make sure you're doing that. Sometimes you've gotta take away your own safety net. But if you feel miserable in a day job, in any job, get out of that. Look for something else. Stay in that job until you have the other thing set up, and then go to that other thing. But sometimes you've just got to jump out with a parachute and trust that you're going to land someplace safe.
Sometimes listening to music can motivate you. It can. But if you're a musician, that isn't always the way to get new ideas because you don't want to take somebody else's ideas. You need to find your own. So if you go to different artistic mediums, whether it's dance or it's visual arts or films or books, stories, sometimes it gets you hearing things, hearing progressions that you wouldn't come up with if you were just listening to other music because you don't want to copy progressions you've just heard.
...sometimes I get tired. Sometimes I get bored. And sometimes all I want, more than anything else in the world, is to go on a freaking date.
Do not to take everything personally or so seriously, because sometimes you're just not right for a particular job. You have to be able to take rejection quickly and honestly, know what you need to work on, and move on.
Sometimes you take a job for the money, sometimes you take it for the location, sometimes you take it for the script; there are just a number of reasons, and ultimately what you see is the whole landscape of it. But I can tell you from behind the scenes - that's what it is, as an actor.
I work with the options I have in front of me and my reasons for choosing a job can vary enormously depending on the circumstances. Sometimes I take a job because it's a group of people I'm dying to work with, and sometimes it can be a desire to shake things up a bit and not to take myself too seriously.
Sometimes people change their minds, sometimes they meet someone else, sometimes they get sober, and sometimes he was just a jerk who you're lucky to be rid of.
Sometimes black people really want to hold onto our oppression - 'This is ours! This belongs to us.' You can't just talk about equality for somebody else. Let's pass it on. Let's pass it on to somebody else. At the end of the day, it is all about inequality.
Sometimes you're a psychiatrist and sometimes you're a group therapist. The dynamics in between people and the misgivings sometimes that artists have when they get into the studio because they're under a different level of scrutiny. A lot of them can be insecure about it. My job is not simply to make musical determinations but sometimes to just keep people from flipping out during the process.
Sometimes not honoring your character makes for really good television, but that also can really upset fans. You have to turn things upside sometimes. As a storyteller, you have to know that sometimes you're going to let your fans and the audience down because you have to do your part in servicing the story.
You want to take yourself seriously, and you want to make something that you hope will have resonance with the audience. You want to bring your perspective and what you consider your talent to that piece of work, and you move forward in that direction. Sometimes that's easy, and sometimes it's met with resistance because you're dealing with situations where, for everybody else, it's a piece of business.
You want to make a little money, and sometimes you want to play some really great parts. Sometimes they don't always coincide, or co-exist. Sometimes you've got to do good parts for no money and... You know, I sometimes can't do movies just for the money. I really can't. I mean, I've tried. Believe me, I'd love to just take the money and run. That might just be part of the equation, but there has to be something there. You have to be somewhat creatively satisfied.
I don't get intimidated. When I'm on set, I never really get intimidated by people. But in social situations, it's weird sometimes. You don't want to seem like you're kissing somebody's ass because they're a celebrity.
I've never felt like I needed to change. I've always thought, 'If you want somebody different, pick somebody else.' But sure, criticism can sometimes still get to me. Some things are so malicious, they knock the wind out of you.
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