A Quote by Carol Burnett

I had it in my contract with CBS, a very weird clause that was never written before and certainly not since, that if I wanted to do a variety show within the first five years of the contract, CBS would have to put it on for 30 shows.
I would have had a clause in my contract; I would've definitely put some fine print in my contract that said, "If the president leaves, I'm leaving." That'd be the bottom line.
I'm real excited about being on CBS and hosting this show. I have been studying all of the great CBS shows. I think I'm prepared, so if you're ready, let's have the first item up for bids.
When I left 'The Garry Moore Show,' I signed a 10-year contract with CBS.
I wanted to work for CBS because I loved the way CBS broadcast the Masters and I loved the way CBS presented the NFL. I loved the voices I heard.
When I came to CBS it was the mother church. I mean that was - everybody wanted to go to work for CBS News.
What I did sign was a tentative contract with Impact Wrestling when they were still Impact. That contract had a clause for me, because I was already working on some stuff in other areas of television. That clause basically said that if something else in television were to happen for me, they can't be uncooperative.
I just like short hair on women, I think it's cool. And I have wanted to cut my hair for very many years, but being on contract with a television show for six years prevents you from doing that, and then being on contract with a cosmetic endorsement campaign prevents you from doing that again. So for eight years, I've had to have long, flowing locks. And I was just so sick and tired of long, flowing locks, so I chopped them.
Danny Ferry did a very good job when he was here and put the franchise up to a certain level, as did Mike Brown, and his contract had ended after five years, and, ultimately, both sides decided they wanted to do other things. No hard feelings at all there.
A five-year contract is worth no more than a six-month contract these days; it's very concerning.
If I would characterize my life, I would say that I was a very lucky actor who came into very lucky times, and got to Hollywood, and was put under contract by Warners in the very last days of the studio contract era, and was privileged to go through that time which is gone now.
The Smothers Brothers have a good show, bul CBS is going to have to spend an awful lot of money to keep it going with top guest stars. A variety show is very expensive.
My take on what happened with the moon landing was [......] they suspect [ sic ] that on impact that the cameras would be damaged because back in 1969 cameras weren't, you know, like they are today, as good. So they had a studio set up at CBS to mimic the moon landing. And sure enough the cameras broke and so they flipped, you know, the CBS studio on. And what you saw of the footage of the '69 moon landing was actually at CBS studio.
Yeah, the first contract I signed, that was the first time I realized, Oh man, never mind, I don't want to do this anymore, but it was too late. I realized it was a bad thing because I wanted to try out for 'American Idol' and all these different things couldn't do that because I was in this contract.
I never had a special social media clause, I had a standard contract, the same as every other player.
If I go into a relationship with an artist, which at most is going to last five years, we have a 100-page contract covering every eventuality. Whereas with marriage you go into it with no contract, with laws that date back hundreds of years, and I don't think that's right.
Standups have all the talk shows, but you never see a sketch group on a talk show. Even on so-called variety shows, if you do see a sketch group or character, it's written specifically for that variety show and usually written around the host of the show or a celebrity.
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