A Quote by Carol Channing
Onstage, you just have to tell the absolute truth about the character you are playing. You hope you communicate it, and you hope it comes back like a tennis ball. If you're listening to the sound of your own voice, nobody else is. The audience knows, and they freeze on you.
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Tell ya what I'm gonna do, see. I'm not going to hope. Now, you don't either. Don't hope your life will get better. Just make it so. Don't hope you are able to handle this baby. Just do it. Just be glad, just move fast, just do what you need to do. But for god's sake, don't hope. Just be...Just be.
You'd better hope and pray
That you make it safe
Back to your own world
You'd better hope and pray
That you'll wake one day in your own world
'Cause when you sleep at night
They don't hear your cries in your own world
Only time will tell if you can break the spell
Back in your own world.
I need you to do more than survive. As writers, as revolutionaries, tell the truth, your truth in your own way. Do not buy into their system of censorship, imagining that if you drop this character or hide that emotion, you can slide through their blockades. Do not eat your heart out in the hope of pleasing them.
It's one point to build a singing voice, but giving someone his or her own voice back is something else all together different. Imagine not being able to communicate with your voice and then having it back! It's truly a mind-blowing experience to hear that happen.
You hope to catch the band on a good night and you hope that it sounds good when you hear the tapes back, and you hope that when you mix it you still have the feeling that you had when you were onstage, but it seems like it never quite works out that way!
One of the beauties about being an actor is that nothing really has to make sense. You just do it and live it and hope it comes out and try to find the truth in what's in the text in your own way and hopefully you can find truth in the text and everything else just comes.
I loved the idea of doing impressions and mimicking and playing around with the spectrum of your own voice. That's what I enjoy most about doing voiceovers. You can be completely unconscious with the rest of your body and just concentrate on doing something with your voice, creating an entire character with your voice.
You say what you want to say when you don't care who's listening. If you're grasping to get your own voice, you're making a strained attempt to talk, so it's a matter of just listening to yourself as you sound when you're talking about something that's intensely important to you.
Just the other day someone threw a bra duct-taped to a tennis ball. I just stood there, playing guitar, thinking how this was totally premeditated. Some girl sat around inventing a way to get her bra onstage from 40 rows back.
More than just a moral issue, hope is a spiritual and even religious choice. Hope is not a feeling; it is a decision. And the decision for hope is based on what you believe at the deepest levels - what your most basic convictions are about the world and what the future holds - all based on your faith. You choose hope, not as a naive wish, but as a choice, with your eyes wide open to the reality of the world - just like the cynics who have not made the decision for hope.
I just sort of take it from a character perspective, and I don't know if he was necessarily spiritual, but I do think he had hope. He was a character that was comfortable having hope in his life, and hope is faith.
Be skeptical, but not as a social position, not claiming to be so intelligent that you cannot believe what other people say. It's not about being right and making everybody else wrong. No, you are skeptical because you know without a doubt that everybody lives in their own story, and in their story they have their own truth. But it's only truth in their mind, just as your truth is only truth in your mind, and nobody else's.
Looking back, I feel bad for treating the girls the way that I have. I just hope that he knows that I'm a good person and I hope it doesn't get in the way of what could be, like, the best thing that's ever happened to me.
When you become a top player, you think that nothing else and nobody else matters. You can tell everybody on earth, 'Listen, I'm playing tennis, I don't have time for you. I'm in the semifinals of the U.S. Open, screw everybody and everything else.'
In this life you have to be your own hero. By that I mean you have to win whatever it is that matters to you by your own strength and in your own way. Like it or not, you are alone in a forest, just like all those fairy tales that begin with a hero who’s usually stupid but somehow brave, or who might be clever, but weak as a straw, and away he goes (don’t worry about the gender), cheered on by nobody, via the castles and the bears, and the old witch and the enchanted stream, and by and by (we hope) he’ll find the treasure.
There's this pet phrase about writing that is bandied around particularly in workshops about "finding your own voice as a poet", which I suppose means that you come out from under the direct influence of other poets and have perhaps found a way to combine those influences so that it appears to be your own voice. But I think you could also put it a different way. You, quote, find your voice, unquote, when you are able to invent this one character who resembles you, obviously, and probably is more like you than anyone else on earth, but is not the equivalent to you.
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