A Quote by Carol Channing
I felt like jumping out a window when I heard Streisand was doing it. I'd played it four and a half years - I thought Dolly was mine. But after the initial shock wore off, I realized no great part is ever exclusively anybody's.
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When you do an hour and a half and you destroy, like tonight was great. I had an awesome time. I realized that I'd been up there for about an hour and a half and I realized, "Wow, I'm gonna get out of here without doing Walken." It is a bit of a moral victory.
A few years after 'Melrose Place,' when the luster of 'Melrose Place' wore off and what was left was just the stink, and I was just doing bad TV movies, that was a personal low point. I felt I needed to stop doing those, and I did.
After having seen the job done on that first show of mine, I realized that I felt like I wanted to work again for a short while. Two, three years, then stop.
My feelings, as the last ball travelled over the net, and as I realized that the final match was mine, I cannot describe. I felt that here was a prize for all the games I had ever played.
When I started on the 'Burnett' show, I was just out of high school, and when we went off the air, I was 28 years old, married with two kids. At that point I felt I really wanted to be mommy to my children. But I found that after a year and a half, I really missed the part of myself that was an actress.
What I really felt like, though, was committing suicide. I felt like jumping out the window. I probably would've done it, too, if I'd been sure somebody'd cover me up as soon as I landed. I didn't want a bunch of stupid rubbernecks looking at me when I was all gory.
He was looking at me, jsut as I'd thought he would be, but like Bert's, his light was not what I expected. No pity, no sadness: nothing had changed. I realized all the times I'd felt people stare at me, their faces had been pictures, abstracts. None of them were mirrors, able to reflect back the expression I thought one I wore, the feelings only I felt.
I came out to my parents as gay, and then I realized, you know, four or five years later, that I wasn't really happy, no relationships were working, and there was something missing in my life, and you know, I was doing drag, performing and stuff, and I realized through that arc that I was much happier doing that.
I listened for the voice I knew so well, the one I always heard at the beginning. Good girl, Macy! You're doing great! You know the first steps are the hardest part! They were. Sometimes I felt so out of sync, it was all could do not to quit after a few strides. But I kept on, as I did now. I had to, to get to the next part, this part, where I finally caught up with Wes, my shadow aligning itself with his, an dhe turned to look at me, pushing his hair our of his eyes.
It wasn't until after living in California for many years that I realized that you don't believe what anybody says, ever. Whatever they say, they're just making a movie - they just like the way they sound.
I played for England off the back of playing for Bolton so I would like to thank the fans there for making me feel at home for the four years that I played there.
In terms of comedy, there was a Seinfeldian era of comedy that I love but got played out. Seinfeld was great, but then after him it was people acting like Seinfeld and making observations that we felt like we'd kind of heard before, and then you're seeing Seinfeldian comedy in commercials. Suddenly everything is observational funniness.
I had an emerald ring that my mother gave me four or five years before she died. She wore it always, I wore it always, and I have given it to my daughter, and she wears it always. This ring belonged originally to my great, great grandfather. It's well over 150 years old.
It's never a matter ever, ever - are - we're never trying to gross anybody out, or ever are we trying to shock people. We're just trying to make it funny in a way that makes the audience go, 'You know, that was the first joke they thought of, and they weren't afraid to do it.'
I hadn't, at the last moment, felt like washing off the two diagonal lines of dried blood that marked my cheeks. They seemed touching, and rather spectacular, and I thought I would carry them around with me, like the relic of a dead lover, till they wore off of their own accord.
I felt like Twitter was more of a place for people to just socialize instead of promoting. After I got off, I realized I could have used that energy and that lane to really promote some positivity. I had 35,000 followers before I left. I was like, "Damn those were 30,000 consumers." It kind of twisted my whole thought process so I got back on. I realized that I have a voice that people wanted to hear.
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