A Quote by Carol Drinkwater

The richness and generosity of the human spirit I discovered in those journeys, meeting with olive farmers and people caught up in war was very humbling for me. Also, finding trees that were six or seven thousand years old made me realise what a tiny pea I am in the world.
There were always moments where I'd say, 'What else can I do with my life?' But when I was 30 years old and discovered I could write - I wrote 'Black Cloud' in six weeks - it opened up a whole new world for me.
I am aware that I am very old now; but I am also aware that I have never been so young as I am now, in spirit, since I was fourteen and entertained Jim Wolf with the wasps. I am only able to perceive that I am old by a mental process; I am altogether unable to feel old in spirit. It is a pity, too, for my lapses from gravity must surely often be a reproach to me. When I am in the company of very young people I always feel that I am one of them, and they probably privately resent it.
Going to the theater is such a joyous experience. My dad would take my sister and me to plays when we were very young, like six or seven years old.
Me? I was lost for long time. I didn’t make any friends for few years. You can say I made friends with two trees, two big trees in the middle of the school […]. I spent all my free time up in those trees. Everyone called me Tree Boy for the longest time. […]. I preferred trees to people. After that I preferred pigeons, but it was trees first.
I still have people coming up to me, and it was, what, six or seven years ago when that finale aired? And they tell me who they were watching with, what their emotional reaction was, and how they were devastated for weeks about [Rita's death in Dexter].
I am a librarian. I discovered me in the library. I went to find me in the library. Before I fell in love with libraries, I was just a six-year-old boy. The library fueled all of my curiosities, from dinosaurs to ancient Egypt. When I graduated from high school in 1938, I began going to the library three nights a week. I did this every week for almost ten years and finally, in 1947, around the time I got married, I figured I was done. So I graduated from the library when I was twenty-seven. I discovered that the library is the real school.
We are the same people as we were at three, six, ten or twenty years old. More noticeably so, perhaps, at six or seven, because we were not pretending so much then.
Show me a man or a woman alone and I'll show you a saint. Give me two and they'll fall in love. Give me three and they'll invent the charming thing we call 'society'. Give me four and they'll build a pyramid. Give me five and they'll make one an outcast. Give me six and they'll reinvent prejudice. Give me seven and in seven years they'll reinvent warfare. Man may have been made in the image of God, but human society was made in the image of His opposite number, and is always trying to get back home.
So you're six years old, you're reading 'Snow White and the Seven Dwarves,' and it becomes rapidly obvious that there are only two kinds of men in the world: dwarves and Prince Charmings. And the odds are seven to one against your finding the prince.
I have a most peaceable disposition. My desires are for a modest hut, a thatched roof, but a good bed, good food, very fresh milk and butter, flowers in front of my window and a few pretty trees by my door. And should the good Lord wish to make me really happy, he will allow me the pleasure of seeing about six or seven of my enemies hanged upon those trees.
I am the son of two civilizations that at a certain age in history have formed a happy marriage. The first of these, seven thousand years old, is the Pharaonic civilization; the second, one thousand four hundred years old, is the Islamic civilization.
October, baptize me with leaves! Swaddle me in corduroy and nurse me with split pea soup. October, tuck tiny candy bars in my pockets and carve my smile into a thousand pumpkins. O autumn! O teakettle! O grace!
At the age of twelve I had an attitude toward life that was to endure, that was to make me seek those areas of living that would keep it alive, that was to make me skeptical of everything while seeking everything, tolerant of all and yet critical. The spirit I had caught gave me insight into the suffering of others, made me gravitate toward those whose feelings were like my own, made me sit for hours while others told me of their lives, made me strangely tender and cruel, violent and peaceful.
It was many years until I started meeting other people who were like me: very progressive-minded politically but also very conservative theologically.
Also, having grown up in England, you walk around London, you're passing relics that are a thousand years old - the wall of London is a thousand years old. You don't talk about it, it's part of your everyday life. The idea that people are in these environments and talking about the past and what happened, it's irrelevant. It's all about living and in this world it was about surviving.
What's funny is my mom took me to the theater for the first time when I was six years old, and I was just amazed by it. I just said, 'Hey Mom, can I do this too?' And so she signed me up for little theater classes, and I remember my first audition for a play when I was seven years old was for 'The Thankful Elf.'
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