A Quote by Carol Emshwiller
I always had plenty of ideas. I didn’t exactly have them. They grew—little by little, a half an idea at a time. First, part of a phrase and then a person to go with it. After a person, then a little corner of a place for the person to be in.
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I can remember that little thrill - that little shiver of excitement - when the Opry audience would encore a person because that person had touched them so.
At the time, I didn't have the insight to wonder at the transient nature of despair, but now that I'm older I've seen how little it takes to turn a person's life around for better or worse. An event will do, or an Idea. Another person. An idea of a person.
A little person in a little place can use a little thing, perform a
little task, and receive a great reward.
Puns are little "plays on words" that a certain breed of person loves to spring on you and then look at you in a certain self-satisfied way to indicate that he thinks that you must think that he is by far the cleverest person on Earth now that Benjamin Franklin is dead, when in fact what you are thinking is that if this person ever ends up in a lifeboat, the other passengers will hurl him overboard by the end of the first day even if they have plenty of food and water.
This idea of, oh, poor little black person, oh, poor little poor person, oh, poor little woman, oh, poor little indigenous person - everybody's a poor little something! I don't try and please everybody.
If a man were poor or hungry, [some] would say, let us pray for him. I would suggest a little different regimen for a person in this condition: rather take him a bag of flour and a little beef or pork, and a little sugar and butter. A few such comforts will do him more good than your prayers. And I would be ashamed to ask the Lord to do something that I would not do myself. Then go to work and help the poor yourselves first, and do all you can for them, and then call upon God to do the balance.
Holocaust is very much a part of present discussion all over the place. There are little plaques everywhere you go around in different neighborhoods. "This person here was prosecuted." "This person was sent to this concentration camp." "A family of Jews lived here. They took over his business." Little, very discrete, very dignified plaques are everywhere.
Reduce your humanity through what Jules Feiffer called little murders. The minute I hear someone trying to demean me, I know that that person means to have my life. And I will not give it to them. When a person commits these little murders, and then you catch him or her at it, he or she might say, "Oh, I didn't mean it." But make no mistake: It is an assassination attempt.
A lot of times, you're circling around a lot of things, and then you find that one person, or that little piece of dialogue, and it doesn't always have to be in person.
If a person is working toward a predetermined goal and knows where to go, then that person is successful. If a person does not know which direction they want to go in life, then that person is a failure.
I do not invent characters. There they are. That's who they are. That's their nature. They talk and they behave the way they want to behave. I don't have a character behaving one way, then a point comes in the play where the person has to either stay or leave. If I had it plotted that the person leaves, then the person leaves. If that's what the person wants to do. I let the person do what the person wants or has to do at the time of the event.
It's about how you exist as a person in the world, and the idea that your work is more important than you as a person is a horrible, horrible message. I always think about a little gay boy in Wisconsin or a little lesbian in Arkansas seeing someone like me, and if I cannot be open in my life, how on earth can they?
So often the woman forgets her own greatness and she goes a little bat sh-- crazy sometimes. So its up to the other half to love that person back into the person we know them to be.
I can't tell you what that little ingredient is which makes that first person want to go on and aggressively do more, and the other person be content to not do that. It's a mystery, but it does happen.
I don't think I had any idea at the time how to work with someone as masterful as he is. And I don't think at the time I really understood what was happening. I think I was in a space where I was like: there are all these things. I was shooting all these takes with David, and I was just confused, as a person, and as an actor feeling a little too big for my britches and that this thing was happening and then also not having enough skill yet, and technique to know exactly where I was, and know about the character.
We're trained to believe we should cling to one person only. Yet there are so many people who pass in and out of our lives. Good people, worth people, interesting people. Most of them stay for a little while and then move on. Some of them find a place with us and, if we let them, they enrich us. Don't close yourself off from the rest of the world, Eve. If you find someone who can make you understand a little more, laugh every now and then, give you a new experience, then never feel guilty. You'll just have more to give back to those who are closest to you.
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