A Quote by Carol Gilligan
I used to tell women graduate students, half-seriously, that the role of slightly rebellious daughter was one of the better roles for women living in patriarchy.
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If women take their bodies seriously and ideally we should then its full expression, in terms of pleasure, maternity, and physical strength, seems to fare better when women control the means of production and reproduction. From this point of view, it is simply not in women's interest to support patriarchy or even a fabled "equality" with men. That women do so is more a sign of powerlessness than of any biologically based "superior" wisdom.
Initially, women only had to portray married wife roles on TV, but now there are show that are offering other roles to portray for women. Earlier, all drama used to revolve only around married women, which is not the case now. Even the male actors have a good opportunity for better roles now.
claims about what's 'natural' have long been used to reinforce traditional gender roles and values. ... Even the notion that women should have children at all is based on the idea that a woman's inherent and most important role is that of mother. Shockingly, men's 'innate' roles are a lot more fun than the ones bestowed on women.
'Al Jamilat' is not just feminist. It's an album with songs that feature women: women who are in love, rebellious women, political activists, women who are more submissive, women who are in charge.
We need to do a better job of mentorships and role models to bring other young women along so that there's more women in our boardrooms, there's more women here in the United States Senate and in Congress. I think there's an important role for women to play.
What I really want to do is create great roles for women. And I'm not talking Nicholas Sparks romance. I think women's roles have gotten ghettoized in these sort of places... I'm thinking women in action, comic books, or like the Tony Soprano of women. We need some complex roles.
I'm not an American as you know, and to deliver "Jackie" today in the United States and understanding the role of women in society is changing and I hope it just gets better and better - and also in cinema. There's very few interesting roles today for women in cinema. It's getting better and stronger and, and I'm proud to be part of that.
Corporate governance is a huge issue too. We don't have women on these corporate boards. More than half of the students in law school are women, more than half of the women, I think, in medical school now are women.
Patriarchy is not men. Patriarchy is a system in which both women and men participate. It privileges, inter alia, the interests of boys and men over the bodily integrity, autonomy, and dignity of girls and women. It is subtle, insidious, and never more dangerous than when women passionately deny that they themselves are engaging in it.
Patriarchy doesn't just make men out to be ogres. Women buy into the patriarchy as well, and women make those comments as well, like, 'Boys will be boys.' Women have to undo that stuff, too.
It's hard for people who come from traditional homes to take women seriously. I do it myself. We're just not used to seeing women professionals. Women have to go out of their way to prove themselves.
We need to encourage more women to write roles for other women. The great substantive roles aren't being written for women and aren't being produced and directed by women.
It's true that, in Iran, women have half of the rights men do. And yet 66 per cent of students are women.
My attitude toward graduate students was different, I must say. I used graduate students as colleagues: I gave them the best problems to work on, and I encouraged them.
I formed this thing called the Half Foundation, and what I tried to do is quantify hiring practices in Hollywood. Half the population is women, so half of the storytellers should be women. Fifty percent of all the directors in my company are women, and it will forever be that way.
If you just look at the number of roles for women versus the number of roles for men in any given film, there are always far more roles for men. That's always been true. When I went to college, I went to Julliard. At that time - and I don't know if this is still true - they always selected fewer women than men for the program, because there were so few roles for women in plays. That was sort of acknowledgment for me of the fact that writers write more roles for men than they do for women.
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