A Quote by Carol Guzy

Michel duCille has been an editor of indelible integrity, decency, and a deep sense of humanity. Michel stood by me during the highlights and shadows of my life. We began our careers together as interns at 'The Miami Herald.' His photography over the years embodied the concerned journalist, which carried over to his work in management.
I didn't start doing graffiti until two years after I got to New York. Jean Michel Basquiat was one of my main inspirations for doing graffiti. For a year I didn't know who Jean Michel was, but I knew his work.
I didnt start doing graffiti until two years after I got to New York. Jean Michel Basquiat was one of my main inspirations for doing graffiti. For a year I didnt know who Jean Michel was, but I knew his work.
The more I've reflected on that and asked Iraqi friends, the more I realize that the corruption in Iraq has nothing to do with ideas - it has to do with the regime and institutional structures and power. There's no core to what Michel Aflaq has to say that results in this. That was a key to looking at Michel Aflaq as a sideshow. He's the intellectual father of an ideology that no one probably ever believed in. At that point I began to appreciate him in a funny way.
I drink blood, you eat tacos, get the f*ck over it!" -Michel Glass
I want to live darkly and richly in my femaleness. I want a man lying over me, always over me. His will, his pleasure, his desire, his life, his work, his sexuality the touchstone, the command, my pivot. I don’t mind working, holding my ground intellectually, artistically; but as a woman, oh, God, as a woman I want to be dominated
I believe that Fairport, in all its incarnations, has almost single-handedly been responsible for and has written the book on the history of the evolution of folk-rock in the UK. Over the years Ashley Hutchings, with his Albion Bands and Richard through his solo work have carried the torch to another level.
Chef Michel Richard is always at the top of his game.
I've loosened up over the years about materials. I started off working for Matthew Barney, and that's what his mentality is. Even while we were making pieces, like a mold, the mold would make sense conceptually with the piece. That's how deep his symbology goes. I've loosened up over the years because I very much had that mentality.
The dominant and most deep-dyed trait of the journalist is his timorousness. Where the novelist fearlessly plunges into the water of self-exposure, the journalist stands trembling on the shore in his beach robe. The journalist confines himself to the clean, gentlemanly work of exposing the grieves and shames of others.
Derek Jeter has been a great representative of what the Yankees have stood for over the years. He has been a team player who has only cared about winning. He has also been a fine example both on and off the field over his long tenure as a Yankee. It has been a real pleasure to manage him and play alongside him.
Patch stood over me, and a drop of rain slid from his hair, landing like ice on my collarbone. I felt it slide along my skin, disappearing beneath the neckline of my shirt. His eyes followed the raindrop, and I began to quiver on the inside.
I have come to know that adversity really means the things in life that challenge us and cause us to work with devotion and courage to overcome. I once stood on a street in Trondheim, Norway, looking up at a statue of a Viking. There came to my mind at that time a fable of the Norsemen that when a man won a victory over another, the strength of the conquered went over into his veins. Therefore, in this sense adversity is good, for it produces in us a source of strength as we learn to conquer our weaknesses.
Magic enables man to carry out with confidence his important tasks, to maintain his poise and his mental integrity in fits of anger, in the throes of hate, of unrequited love, of despair and anxiety. The function of magic is to ritualize man's optimism, to enhance his faith in the victory of hope over fear. Magic expresses the greater value for man of confidence over doubt, of steadfastness over vacillation, of optimism over pessimism.
I've know Justin since I was a child. I went to school with his younger brother Michel, who died in the Avalanche. But Justin and I are four years apart - when you're 12 and 16, it's worlds away. I always thought he was handsome though.
I got on a bit of a rollercoaster looking into how Herbie Hancock used to make his tunes, and I remember a picture of Jean-Michel Jarre at one of his concerts and seeing the Memorymoog. When I heard the sound it I was like, 'Arrrgh, I really need that.'
Mitch Glazer and I went to high school together, and his mother was my English teacher for two years. She was my favorite teacher, and I followed Mitch's career as a journalist, so we've kind of kept in touch over the years.
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