A Quote by Carol Guzy
I think many times news organizations, whether it's for lack of resources or something else, cover the headlines and don't follow up, even though the story continues for the people living there - they can't leave. I think it's critical that they do these follow-up stories to realize that there is still suffering, and the need is dire.
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We still write too many stories that are "state of the race" stories that are informed almost solely by what the polling shows and by what we're then deducing about who's up, who's down, and I'm just not sure that's very helpful to readers, it certainly doesn't elevate the debate and, and the problem is if you, if you cover these things, and I don't think the Times is particularly culpable, I think other news organizations are worse, if you cover them in an entirely "who's up, who's down" horse race way.
I think people are attracted to The Huffington Post's blend of up-to-the-second news and thoughtful opinion, delivered with an attitude. Plus, I think they enjoy that we cover so many different things - from politics and entertainment to style and satire. There is always something interesting to read and think about - and even to laugh at.
I think every artist should follow their vision; their hearts is what they need to reveal, not something that society is looking out for. That said though, I think also artists have, continuously good artists, have been good for their times.
If I told you how many times guys on set get spray muscles... men need to realize that they don't need to live up to what they think they need to live up to!
I try to encourage young people to follow their dreams. Even if you're born in an urban community it's always something available to you whether it be a dance class or whether you do really good in school and you can get a scholarship. So if you just put your mind to it and if you educate people enough and they know that they can find resources to help them get to where they need to go then that's really important.
Though many men would be content to follow Christ by taking up their cross, few would be willing to follow Him by denying their reason.
I don't think there is any scientific evidence about the question of whether we think only in language or not. But introspection indicates pretty clearly that we don't think in language necessarily. We also think in visual images, we think in terms of situations and events, and so on, and many times we can't even express in words what the content of our thinking is. And even if we are able to express it in words, it is a common experience to say something and then to recognize that it is not what we meant, that it is something else.
A lot of these people, these program directors, just like anybody else in the world, even though they're supposed to be leaders in the world, they're followers. They follow what they think someone else is doing, instead of trying to blaze a trail.
I think it is more important to tell a story rather than follow any trend; that is a less bold way to go. If you do that [follow trends] you are just trying to ride on the coat tails of someone else's success.
I don't think my father considered allowing a teenager to follow his dreams was necessarily good parenting, or even parenting. I think he thought I was a teenager with teenage impulses. I'm pretty sure he knew that if he just let me follow those impulses, it would wind up being very expensive and perhaps even life-endangering.
I think it's quite common and realistic. There are many stories like this [in Waitress]. [Jenna, my character] marriage looks really horrible up on the screen but I think there are a lot of people in bad relationships who wake up and think to themselves: "Wow, how did I end up here? Why am I still here and so unhappy and not satisfied with my life?"
It is still news to her that passion could steer her wrong though she went down, a thousand times strung out across railroad tracks, off bridges under cars, or stiff glass bottle still in hand, hair soft on greasy pillows, still it is news she cannot follow love (his burning footsteps in blue crystal snow) & still come out all right.
People are looking for something new at the end of the day, and I think when people can do something new and unique to get people's attention, that's what is needed. There's so many people that follow the trend, and then it gets to a point where it gets a little stale. So, in music, I mean, whoever's the new trendsetter, that's who people follow.
It's always been important to us to be original, which sounds really easy when you say it. Everyone says it all the time, but it's actually not that easy to be original. It's also something scary because if you're doing stuff that doesn't sound like anything else, I think a lot of people get scared of that. A lot of people tend to follow instead, they wait for something else to do something new and then they follow that. We just don't like to do that.
Eva is a story of repetition. It is a story where our protagonist faces the same situation many times over and determinedly picks himself back up again. It is a story of the will to move forward, even if only a little. It is a story of the resolve to want to be together, even though it is frightening to have contact with others and endure ambiguous loneliness. I would be most gratified if you found enjoyment in these four parts as it takes the same story and metamorphoses it into something different.
Today's biggest headlines are stories about people who thought they were doing something that was secret: Jesse Jackson's secret girlfriend and child, Monica Lewinski's private meetings with the president and confidential girl talk with Linda Tripp. Just think of the news stories we've watched on television.
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