A Quote by Carol Kane
This profession has no rhythm to it - you're either busy enough to fall down, or nothing's happening!
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I'll fall.' 'You wont fall.' 'I'll fall. I'll fall and I'll die.' As I said it, I could see it happening. The foot stepping on air, pulling the rest of my body with it, tree limbs breaking as I plummeted down. 'No,' he said, his voice assured, 'You'd never do that to me.
I don't have a problem with delegation. I love to delegate. I am either lazy enough, or busy enough, or trusting enough, or congenial enough, that the notion leaving tasks in someone else's lap doesn't just sound wise to me, it sounds attractive.
All life requires a rhythm of rest. . .
There is a rhythm in the way day dissolves into night, and night into morning. There is a rhythm as the active growth of spring and summer is quieted by the necessary dormancy of fall and winter. There is a tidal rhythm, a deep, eternal conversation between the land and the great sea.
Of course there are depressing periods when nothing appears to be happening. But whenever anything was happening, and even when nothing was happening, it was fun just to do phage experiments.
I have enough rhythm to blend at this point. I have enough rhythm to blend one song into another. But man, I have such respect for the art of deejaying. I hesitate to even call myself a deejay.
Man, you learn so much just like with anything else. If you do something long enough, you learn. You make mistakes. You run into roadblocks and barriers. You overcome obstacles. You fall down. I mean you have to fall down to learn to stand up.
I would have loved to have been science-minded enough to be in the caring profession - either as a doctor or nurse or vet.
Unjust social orders do not fall merely by appeals to the consciences of the oppressor, though such appeals may be an important element; history teaches us that they fall because a large enough number of people organize a movement powerful enough to push them down. Rarely do such revolutions emerge in a neat and morally pristine process.
I've tried my hand at everything... trying to whittle down the right profession for myself. I tried my hand at clothes, I've modelled, but nothing really worked for me. I didn't really enjoy it, and maybe I was not really good enough.
To create the reality of space with this sense of suspension: nothing's happening, it's endless; we're traveling at 28,000 kilometers an hour but nothing's happening. Nothing! And you have to do that! There are all these rules you have to follow, I've never known anything like it.
Or the other process that is important is that I compress longer sections of composed music, either found or made by myself, to such an extent that the rhythm becomes a timbre, and formal subdivisions become rhythm.
Are you too busy for improvement? Frequently, I am rebuffed by people who say they are too busy and have no time for such activities. I make it a point to respond by telling people, look, you’ll stop being busy either when you die or when the company goes bankrupt.
I see only one requirement you have to have to be a director or any kind of artist: rhythm. Rhythm, for me, is everything. Without rhythm, there's no music. Without rhythm, there's no cinema. Without rhythm, there's no architecture.
I think that timing is everything. At first, it was too soon. And then, the time was right, but I was busy with other things, and the cast was busy with other things. By the time we sat down to work on the movie, enough time had passed that suddenly a different story emerged.
The rhythm is below me, the rhythm of the heat. The rhythm is around me, the rhythm has control. The rhythm is inside me, the rhythm has my soul.
We need to talk to voters in large enough numbers and we need to have conversations that are probing and sustained enough that we understand where they're coming from because nothing is nonsensical. You know, in a democracy, in an election, in an electorate there's a reason why things are happening and it's incumbent upon us to delve deep enough to get at those reasons.
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