A Quote by Carol Kane

I was taught by a lot of great comedy writers to go for the reality in a role, and the comedy will come through. — © Carol Kane
I was taught by a lot of great comedy writers to go for the reality in a role, and the comedy will come through.
I'm a big believer in comedy writers. I've always defended the honor of all comedy writers. It's extremely difficult, but I've always felt that comedy writers far more easily can move toward drama than vice versa.
I will do comedy until the day I die: inappropriate comedy, funny comedy, gender-bending, twisting comedy, whatever comedy is out there.
The way I approach any role, whether it's comedy or drama, I like to look for the truth first. I think comedy for the sake of comedy wears dull pretty quickly. You have to ground the character in reality first and allow the audience to sympathize, emphasize and be more invested.
The beauty of comedy is, when people come to a comedy club, there is a certain veil of reality suspended.
There's always advantages and disadvantages to doing any role. And there's a great sense of achievement, testosterone, fun, being able to live out your masculinity when you play an action role, or an action-adventure, or a real tough-guy role. Really, if you're doing a comedy, you can sit back and relax. And it's good to know that at the end of the day, you don't have to run off for another two hours and go to the gym, or go spend the rest of the night swordplaying with stunt guys. Then I think, "Oh my God, I love comedy.".
With comedy, you have to do it right. In a drama, there's a lot of different ways to succeed in a moment. But comedy comes from reality. You can't try to be funny.
If you're into comedy, you will know what the show is about. We have so many comedy geeks, comedy enthusiasts, fanatical people who go to comedy festivals and follow comedians, and really treat it like rock 'n' roll - which it can be, but more like the geeky rock 'n' roll.
'Something Borrowed' is looking like a romantic comedy, but it's a comedy. It shines as a comedy; it's definitely not just about the romance. It's an honest depiction of the struggle between the characters. The comedy aspect will make it shine.
The more serious the situation, the funnier the comedy can be. The greatest comedy plays against the greatest tragedy. Comedy is a red rubber ball and if you throw it against a soft, funny wall, it will not come back. But if you throw it against the hard wall of ultimate reality, it will bounce back and be very lively. Very, very few people understand this.
A lot of times, comedy writers will go for the gay joke, and I've been vocal about saying, 'Go for the smart joke.'
At some point, and maybe it's a function of age, you've had enough of it. You start to slide in other directions. A lot of comedy writers begin to turn the dial. With me, it was a switch. Comedy off. Drama on.
I'd say a lot of black comics were forced to do the black comedy circuit. I'd go into black comedy clubs and see what they're going through, which is different because they're almost made to be in another world.
I actually feel that all drama has an element of comedy in it. A great deal of that I learned from writers like Chekhov who called his plays his comedy even when they touch on tragedy.
The work I'm doing on the screen differs from that of anyone else. My comedy is of a peculiar nature...no writers have been developed along the lines of my type of comedy and this is why I sometimes have differences with writers, supervisors and directors alike.
I love comedy and did a lot of comedy in college. I was in an improv comedy group with my friends.
I love good comedy. I don't like bad comedy. Of course, nobody loves bad comedy, but there's a lot of bad comedy out there.
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