A Quote by Carol Leifer
Stand-up comedy - I love this job, and I gotta tell you, folks - knock wood - it's been working. 'Cause I was one of those kind of people, even when I had a regular job, I couldn't even call in sick right. You know, I was like, 'Hello? Yeah, I can't come in today. I have scurvy.
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I was not one of those people who wanted to be a comedian when I was growing up. I liked comedy, but didn't know it was something you could do for a living. I actually wanted to be an attorney. I did do things on the side like improv and sketch comedy, but law was my focus. I was a very bookish, academic kid. When I got out of college, I was really unhappy. I had a great job that I should have loved, yet I was miserable. I slowly realized that was because I wasn't performing. So I just tried stand-up and fell in love with it after one performance.
No job in America should go unfilled because somebody doesn't have the right skills to get that job, nobody. So, if there's a job open, we should train those folks right away so that they can do the job.
I've never really had a real job. When I was young doing stand-up, I'd get 50 bucks a week here or 100 bucks a week there. You know, sometimes for headlining one of the rooms, or MC-ing, or something like that. So yeah, I've never had like a normal job.
I always wanted to be a comedic actor - that's what I wanted from the job - to do comedy and to create my own comedy. But I still love doing stand-up and will probably be doing it forever. I'd love to be an old guy who can't really walk, can't really stand-up, and I have to sit on the stool and tell jokes.
I believe that a lot of people in our society today, people who have been hurt and even people who haven't been hurt, get their worth and value from what they do, what they look like, what they own, what kind of job they have, what kind of house they live in, how much money they have, what social circles they're in, what level of education they have, especially even how other people respond to them. They feel better about themselves if everybody is giving a smiling nod to the way they look and all their choices.
I've been through periods where I haven't worked and would have paid someone to give me a job - I think that's really helped me feel very grateful to have a job, even when I have a call time of 3:30 A.M. My mom laughs when I text at 4 A.M saying, 'I love my job.'
I worked check-to-check, worked in dead-end jobs my whole life before I got into stand-up, and even during stand-up, I was working at a retail job and Starbucks, all those places.
I didn't have any terrible survival jobs. The main job I had before I was able to transition over to acting full-time was working at an after-school program at a middle school teaching improv and standup. So even when I had a regular job, I was still lucky enough to be doing the stuff I loved in some way.
Number one, I tell the quarterbacks, do your job. You've gotta do your job before you can even worry about anybody else or any other situation.
I mean, there's an aspect I've always said that is - it's, you know, it's not poetry but it's kind of like it. It's not song lyrics but it's kind of like song lyrics. It's not rap but it's kind of like rap. And it's not stand-up comedy but it is kind of like stand-up comedy. It's all those things together.
Life is so very short. Do now what you yearn to do in your life. You do not have to 'quit your day job' in order to do this. You may do so if you choose to, but you do not have to. Many people advance a vocation while holding down their 'regular job.' You can, too. Then ease into your vocation and turn it into your 'regular job.' But you must give energy to your vocation starting today. I mean, today.
Even going on stage is a service because it brings people up from thinking about their lost job or their lost spouse or something like that, so that even helps people when I'm doing comedy; it's all done to make them laugh.
You gotta do what you gotta do. And I had to figure that out, and I used to - I couldn't stand the media, but I realized they have a job. They gotta do what they have to do.
Working with David Gordon Green, and Jonah Hill, and Michael Cera, and Drew Barrymore, and all of those people - those are the best people in comedy to work with. Anna Faris. You know, that's my goal, to keep learning and to just keep working with the best people I can. And yeah, we do all hang out, and we all kind of know each other.
I might even go for walks, just kind of come up with ideas in my head and then even sleep over it. And, yeah, the next day, when I wake up in the morning, I feel like that's when the ideas come, because you kind of wake up fresh and clean. You're not influenced from music on the radio or any other source.
Some people don't even say hello. They come up and say, 'Can I take your picture?' and I'm, like, 'Why?' And they say, 'Oh, you're that guy.' And I'm, like, 'Why do you want a photo of me if you don't even know my name?'
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