A Quote by Carol Ross Barney

My younger brother is an architect, my son and his wife are both architects, they work for me, and so I guess I've started a dynasty. — © Carol Ross Barney
My younger brother is an architect, my son and his wife are both architects, they work for me, and so I guess I've started a dynasty.
I come from a family of educationists and both my parents as well as my younger brother and his wife are teachers.
I'm a trained architect. Both my parents were architects.
I have a wife and a son, but the gay rumors have started. I guess it's a sign that I'm moving up the ladder.
My dad was a fiercely funny guy, and he and his brother would get on runs. So my younger brother and I were basically mimicking them when we started goofing off.
My elder son and his wife keep bees, and my younger son has bees, too.
I was born in 1957 as the second son of the late Sat Paul and Lalita Mittal. My father was a politician and, at one point of time, an MP. A gap of two years separates me from both my elder brother Rakesh and younger sibling Rajan.
If architects weren't arrogant, they wouldn't be architects. I don't know a modest good architect.
I know for me as an artist, I think I do myself and my listeners a disservice, if I don't listen to some of the best music out there. If I was an architect or a carpenter, I'm going to want to study the best architects and carpenters and I'm going to appreciate their work, because they're going to inspire me to do well. And I just look at them as great architects and I just appreciate the gift that God gave them.
I guess I can't be a great architect. Great architects have a recognizable style. But if every building I did were the same, it would be pretty boring.
I started karate in middle school when my parents wanted me to babysit my younger brother. He was a little troublemaker, so they wanted me to make sure the class was going okay. I ended up being way more into it than my brother.
As I have discovered by examining my past, I started out as a child. Coincidentally, so did my brother. My mother did not put all her eggs in one basket, so to speak: she gave me a younger brother named Russell, who taught me what was meant by 'survival of the fittest.'
This character feels so much like my brother. He has two children. He has a wife. He works with me. He chooses to stay in New Hampshire because he wants his kids to grow up in the school they started with. He doesn't want them to lose friends. He is his family's hero.
I dropped out of school after my tenth standard. But both my elder brother and younger brother are highly educated.
Both my assistant and my wife tell me that during battle scenes, when a character is making a 'guwaa' sort of face, my face also ends up going 'guwaa.' So afterwards, my whole face is tired. I guess it's because I'm the kind of guy who gets caught up in his own work.
I would say I was a little bit outgoing, a little bit shy. I was definitely much more shy than my brother. I was young - age six. I was really drawn to music because my brother started playing instruments and I wanted to be at his level, even though I was younger.
To my way of thinking, the concept drawings that Rembrandt did, the drawings he made that he used to model his artists, to work out the compositions of his paintings: those are cartoons. Look at his sketch for the return of the prodigal son. The expression on the angry younger brother's face. The head is down; the eyebrow is just one curved line over the eyes. It communicates in a very shorthand way. It's beautiful, expressive, and, in a peculiar way, it's more powerful than the kind of stilted, formalized expression in the final painting.
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