A Quote by Carol Shields

This is why I read novels: so I can escape my own unrelenting monologue. — © Carol Shields
This is why I read novels: so I can escape my own unrelenting monologue.
There're no novels that I like to read so I write my own novels, and then I read them again, and it's the best thing.
I read all types of books. I read Christian books, I read black novels, I read religious books. I read stuff like 'Rich Dad, Poor Dad' and 'The Dictator's Handbook' and then I turned around and read science-fiction novels.
The novels were an escape from reality in the sense that we could marvel at their beauty and perfection. Curiously, the novels we escaped into led us finally to question and prod our own realities, about which we felt so helplessly speechless.
Boredom has been used as a technique, it is a device. In Zen, boredom is used as a device: you are bored to death, and you are not allowed to escape. You are not to go outside, you are not to entertain yourself, you are not to do, you are not to talk, you are not to read novels and detective stories. No thrill. No possibility to escape anywhere.
Read. Read. Read. Read. Read great books. Read poetry, history, biography. Read the novels that have stood the test of time. And read closely.
I read novels for entertainment rather than for edification, so I tend not to read the sort of novels that are said to illuminate the human condition.
I would like my novels to be read the way I read the novels I love.
Movies are not novels, and that's why, when filmmakers try to adapt novels, particularly long or complex novels, the result is almost always failure. It can't be done.
My first attraction to writing novels was the plot, that almost extinct animal. Those novels I read which made me want to be a novelist were long, always plotted, novels - not just Victorian novels, but also those of my New England ancestors: Herman Melville and Nathaniel Hawthorne.
When I was growing up, I always read horror books, while my sister read romance novels. My sister became unmarried and pregnant during high school, and she kept saying, 'This wasn't supposed to happen! Why is this happening to me?' Someone should have given her another book to read.
I got interested in the question of literacy because writers are always moaning about why more people don't read books. They long for the good old days when people read serious novels.
When I was a child and teenager I read whenever I had the opportunity, but since then I've found it hard to read as much as I'd like, children, work, and pets all providing powerful incentives to escape into a book and a practical reason why I rarely do so.
Faced with today's problems and disappointments , many people will try to escape from their responsibility. Escape in selfishness, escape in sexual pleasure, escape in drugs, escape in violence, escape in indifference and cynical attitudes. I propose to you the option of love, which is the opposite of escape.
But my philosophy is that plot advancement is not what the experience of reading fiction is about. If all we care about is advancing the plot, why read novels? We can just read Cliffs Notes.
Novels are the means by which we can escape the moment we are imprisoned in, but at the same time, the roots of a novel are in the world in which it is written. We write, and we read, to understand the world we live in.
I have to say I do read partly for escapism. Why can't I escape and learn something?
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