A Quote by Carol Vorderman

When I get tired, I start eating things that I wouldn't normally crave, like biscuits, because they'll give me a bit of energy to keep going. — © Carol Vorderman
When I get tired, I start eating things that I wouldn't normally crave, like biscuits, because they'll give me a bit of energy to keep going.
There's going to be a lot of eating. My listeners have tweeted me and said "You've just got to keep eating, keep your energy up and have someone on duty to give you a massage if you need it." It will be a case of getting it done and making sure I don't get too cold, because that's crucial for the muscles. So that's all going to be taken care of. But really there's not much you can do - if you start cramping up you've just got to get on with it.
The bigger size of the weight class, guys are going to get tired a little bit quicker. They get tired to where they can't even keep their hands up in the fourth and fifth round.
I like to weed out the people who aren't going to enjoy me straight off the bat. If you look at all my specials, I do start more extreme and then, as I get into it, sort of at the three-quarter mark, I normally have a bit of pathos. Is pathos the right word?
I like to have plans in place so I know what I am doing and when. Take nutrition. When I am on the bike I will start off eating solid food like rice cakes made with pistachios or energy bars. Then as the race goes on, halfway though I will switch to gels as they get into your system more quickly and they are easier to palate when you're tired.
You don't want to keep giving yourself a sugar spike and then crash and get exhausted and need coffee because you shoot for a long time. On set, I eat a lot of peanut butter and apples, things that have actual energy and protein in them to keep me going.
You know, there are times when you play a song over and over and over and you get a little tired of it and you let it sit for a while. It's like, you may love eating sushi, but if you eat it every single day, you're going to get a little tired of it.
I just didn't feel very good. One day I woke up and I was like: "All right. I'm going to start eating right. I'm going to start working out." I figured it might help me feel a little bit better - even if I was still sick, it might help me move forward with my struggles. I just kind of turned a corner.
Normally skeptical journalists routinely give renewables a pass. The reason isn't because they don't know how to report critically on energy - they do regularly when it comes to non-renewable energy sources - but rather because they don't want to.
It's hard for me to play seated theaters because people tend to sit down and get a little bit complacent, so it's less energy. It's just very dry and dead. People start to feel like they're watching a movie. The environment when they walk into it, it's not standing room only, smoking and drinking and rock 'n' roll. So it's a little bit dangerous to do that.
To be honest, I deliberately tend not to post things like 'I'm having a relationship' or where I live. I'm a bit reluctant to keep this kind of information up to date because people are inclined to see things like that as statements, and I rather keep a little bit of privacy, if possible at all.
When someone you love dies, you get a big bowl of sadness put down in front of you, steaming hot. You can start eating now, or you can let it cool and eat it bit by bit later one. Either way, you end up eating the whole thing. There's really no way around it.
Live theatre is great. I loved doing the League live because you get that element of spontaneity, but then when I'm doing live I start to crave the precision of filming. It's a different discipline; it's like a scalpel and you're very precise suddenly. It's scary as well because you think this is it, this is my one go at making it if I can the best it can be, because this is how it's going to be remembered and rendered and left on this film indelibly. And people are going to look back on this and that's that.
Most actors try to do as many different things as possible. I like the encouragement I get from doing new things. I like to feel scared or challenged in the hope that I can pull it off. That little bit of fear creates an energy that I can channel into the performance. And you have to keep tapping new parts of yourself, keep working or you never improve. The only way to improve is to set yourself harder goals.
I suppose, when you start up in acting, you hope to be given challenges, and you always have dreams about the things you could do and couldn't do, but normally we get pigeon-holed a little bit, as we go on in our careers.
There are people who have energy that say don't come near me, don't get too close. There's people like Adrienne Shelley who have the energy of come over here and give me a hug and if you're around me you're going to be happy about it.
There are people who have energy that say 'don't come near me, don't get too close.' There's people like Adrienne Shelley who have the energy of 'come over here and give me a hug and if you're around me you're going to be happy about it.'
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