A Quote by Carole Bouquet

I've been working since I was 18. People say something every time I cut my hair. They wouldn't say this to Dustin Hoffman. — © Carole Bouquet
I've been working since I was 18. People say something every time I cut my hair. They wouldn't say this to Dustin Hoffman.
I'm sure when 'Midnight Cowboy' came out, it took a couple of minutes to get used to the voice and the look of Dustin Hoffman, or to even recognize that it was Dustin Hoffman.
I enjoyed working with Dustin Hoffman. That was really fun. He decided that to really be effective as Woodward and Bernstein, considering their differences, we should spend some time together. Because Dustin and I were very different.
As a musician, I don't have one thing that's "my thing." I like to create, and have a lot of outlets for it. Dustin Hoffman is one of the guys that sets a model for me, because of how good he is at being such different characters. Every time you see DeNiro, he's pretty much DeNiro - great, but DeNiro. Hoffman is different every time, depending on his character. That's how I see myself as a performer.
I'd say people that really inspired me at first were like, Dustin Hoffman, Jim Carrey... serious Jim Carrey though.
My brothers and I came to L.A. as break-dancers when I was about 10, and by the time I was 15, I was working on this really big movie, with Steven Spielberg and Dustin Hoffman and Robin Williams.
I think I've had my taste.I got to work with Sam [L.Jackson]. I can say I did it. I had my shot. I'd love to do something with [Robert] De Niro or Dustin Hoffman or Al Pacino. Those are guys I grew up watching. That would be wonderful. Now that I've gotten a taste working with a bona fide movie star, I think I'd be more prepared to go head to head with some of the big boys.
People compared Garden State to the Graduate, but when was the last time you saw Dustin Hoffman doing what I do?
I had been nominated for an Academy Award for my performance as Sandy Lester, Dustin Hoffman's neurotic, struggling actress girlfriend, in 'Tootsie.' Under Sydney Pollack's direction, 'Tootsie' had been a runaway hit starring Dustin as an unemployed actor who pretends to be a woman in order to land a role in a soap opera.
People who work with me think I should cut my hair. They say casting directors are less likely to hire me with long hair - that they don't have imaginations and can't picture me looking normal. People literally have conference calls about my head when I'm not around. I mean, obviously I would cut my hair for an amazing part.
I cut my hair short and it basically changed everything overnight. I was about 18 when I cut my hair off - the little pixie haircut. Nobody had short hair at the time. Literally overnight everything changed. I worked with Steven Meisel within a month and a half and I booked every show. Then I got a Vogue cover - my first Vogue - and that came out a few months later.
I have dark blonde hair - and it needs help. I went darker, when I was 18, in one of those 'I'm 18, and I can do what I want' moments. It's been that way ever since.
For years I had my hair parted down the middle in a ponytail, tucked down around the sides... Well, I went and cut the bangs, and I've been wearing them ever since. They say it's my trademark.
For years I had my hair parted down the middle in a ponytail, tucked down around the sides Well, I went and cut the bangs, and I've been wearing them ever since. They say it's my trademark.
In the course of interviewing, I've discovered that if you don't give your guest something to react to, they don't react. They simply say what they've been saying every time they've been interviewed. The last thing you want is to have people say to you what they've said to someone else.
There's people who live life authentically and there's people who live a life of fabrication. And it begins with the question of how you're gonna do your time. And these are observations I made about Folsom when I was there with Dustin Hoffman when he was directing 'Straight Time.'
Working with Robin Williams, and Bob Hopkins, and Dustin Hoffman and you're talking about 'gods,' really, in our industry. You look at legends everyday. It was so impactful to me as a young artist.
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