A Quote by Carole Radziwill

I do not chase silly drama for the sake of storylines, though it sometimes seems to find me. — © Carole Radziwill
I do not chase silly drama for the sake of storylines, though it sometimes seems to find me.
I think everything needs to be played real, for reality's sake, for truth. And that is the drama and the comedy. When you do that, it's funnier. And when you do that, you really do hit the emotional beats. I do it the same way as I do a drama. I just play it for truth, and then maybe have a little bit of fun with it sometimes.
It seems to me that the moment has come when the question of bombing of German cities simply for the sake of increasing the terror, though under other pretexts, should be reviewed.
My fear of drama school is that the natural extraordinary but eccentric talent sometimes can't find its place in a drama school. And often that's the greatest talent. And it very much depends on the drama school and how it's run and the teachers. It's a different thing here in America as well because so many of your great actors go to class, which is sort of we don't do in England.
To you a pious young girl who goes to mass and communion, seems pretty silly and childish; you take us for innocents... Well, let me tell you, sometimes we know more about evil than people who have only learned to offend God.
I would be virtuous for my own sake, though nobody were to know it; as I would be clean for my own sake, though nobody were to see me.
A life filled with silly social drama and gossip indicates that a person is disconnected from purpose and lacking meaningful goals. People on a path of purpose don't have time for drama.
Girls groups tend to break up more because sometimes it's hard for women to get along. And everybody is like, 'They're breaking up over silly stuff.' That's not the silly thing to me - to break up. The silly part is that you couldn't get back together. It's about working out, because everyone has their differences.
I have enough drama in my career, and then always playing dramatic roles and storylines... I like to lead a very low profile.
I like loud electric guitars because I like how you can just lose your entire being in the sound. But I can't find myself in a situation where our band Swans is doing typical chord progressions - it just seems cliché to me. Even changing chords sounds like a cliché sometimes, though it happens occasionally in our music. But you find ways to push yourself into the sound through repetition. It doesn't stay the same. It morphs constantly.
You just find the best actors that you can. There's an inherent drama within the framework of scares and killings and all that. In 'Scream,' there is very real drama that would be in almost any drama.
Sometimes I just revert back to Dusty's kid. I'm trying to chase his ghost, and it's a pretty hard ghost to chase.
I really think that technology has the greatest potential to accelerate happiness of most things in the world. The companies that will ultimately do well are the companies that chase happiness. If you find a way to help people find love, or health or friendship, the dollar will chase that.
My attraction to story is a ceaseless current that runs through the center of me. My inexhaustible ardor for reading seems connected to my hunger for storylines that show up in both books and in the great tumbling chaos of life.
What I find difficult about Buddhism, though it is also one of its significant fascinations, is the focus on what is immediately and physically present. To me, this seems a denial of the imagination, and the imagination is very important to me.
Fame is a silly business. People who chase it are almost always going to be disappointed.
When I am reading a book, whether wise or silly, it seems to me to be alive and talking to me.
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