I've always been 100%. I don't grandstand for the cameras. I don't have fake outrage or indignation. No tricks, no screaming or throwing my leg on the floor.
We're dancing from here, from inside, not from outside. You could look at anybody throwing their leg and kick their leg up and a million pirouettes and do all kinds of tricks and stuff like that. But that's not what dance is really about.
Americans have always been inconsistent and kind of fake with outrage, but we've just slipped totally upside-down.
I don't like horror, which is ridiculous because I've been in three horror movies, but when I see those things, I see camera tricks and fake blood and actors screaming and I don't know understand why other actors don't see that.
They say it's all fake, but there's nothing fake when a guy picks you up and slams you down or throws you out of the ring onto a concrete floor. They say, 'Yeah, but you know how to land.' Well, you try landing on a concrete floor.
That's the beautiful thing about my show... It's truly different every week. We get to pick and choose. Every morning, the girl from production comes to me with 100 different items, and I go, 'Fake, fake, fake, fake... that's cool.'
Everybody thinks I wear fake tan but I hate fake tan! Never been able to get on with it. I'm always linked to different fake tan brands and it's nonsense because I've probably had three fake tans in my life.
The great tabloids were always driven by a sense of outrage, a sense of righteous indignation...and had this sensibility of, like, there are people out there that are trying to screw you - and we're going expose them for it.
Internet outrage can seem mindless, but it rarely is. To make that assumption is dismissive. There's something beneath the outrage - an unwillingness to be silent in the face of ignorance, hatred or injustice. Outrage may not always be productive, but it is far better than silence.
America has a problem with fake hate crimes. The Left is always searching for the next big outrage, and sometimes when the pressure gets too high, they just decide to make them up.
I've had an ongoing fantasy about being interviewed on, like, a '60 Minutes'-type show about this really inspiring woman that can do anything with a fake leg. And then the camera pans out, and I'm just holding a mannequin leg.
The thing I always try to remember is that feet are attached to the leg, and that you must prolong the silhouette. The shoe elongates the leg and does it discreetly. The goal is to get people to look at a woman's legs. It's all about the leg. No, it's not about the leg. It's about the woman.
Language just gradually came in, one or two stressed words a time. Before then, I would just scream. I couldn't talk. I couldn't get my words out. So the only way I could tell someone what I wanted was to scream. If I didn't want to wear a hat, the only way I knew to communicate was screaming and throwing it on the floor.
I don't know any real jiu-jitsu or judo or anything. I do movie kung fu. With that, you can fake a punch, but you can't really fake a judo throw. You can get help from the person who you're throwing because they can kind of launch themselves.
The megapixel war in conventional cameras has been a total myth. It's taking us all in the wrong direction. Once a picture goes online, you're throwing away 95 to 98 percent of those pixels.
Many people are shy when it comes to getting out on a dance floor. Dancing is an activity that... reveals your inner self, whether you like it, or know it, or not. It is hard to fake it on a dance floor.
I am always suspicious of righteous indignation. Nothing is more cruel than righteous indignation.