A Quote by Carolee Schneemann

I grew up doing farm work, and there's a deep connection between the demands of farming and the demands of art creation. My sense of space and material has a lot to do with having been a chicken-killer and working with cows.
To make the future demands courage. It demands work. But it also demands faith.
In spite of all similarities, every living situation has, like a newborn child, a new face, that has never been before and will never come again. It demands of you a reaction that cannot be prepared beforehand. It demands nothing of what is past. It demands presence, responsibility; it demands you.
On my grandmother's chicken farm, they had cows, and they had this big metal container that the cows drank out of, and we used to swim in it. And we used to get into the chicken feed bins and dive through them.
The demands of having to be 'masculine' are as damaging to men as the demands of having to be 'feminine' are to women. I wish we could all agree just to wash it all away. Begin again.
If leadership requires a fired-up sense of purpose and imagination, it also demands a profound connection to the society to be led.
Whatever art offered the men and women of previous eras, what it offers our own, it seems to me, is space - a certain breathing room for the spirit. The town I grew up in had many vacant lots; when I go back now, the vacant lots are gone. They were a luxury, just as tigers and rhinoceri, in the crowded world that is making, are luxuries. Museums and bookstores should feel, I think, like vacant lots - places where the demands on us are our own demands, where the spirit can find exercise in unsupervised play.
This was a dairy cow, and dairy cows have IDs on them. The ID was traced back to the farm in Washington. It's a dairy farm. And that farm now has been quarantined, and the owners have been very cooperative in doing that.
I grew up on what everybody called a plantation - but believe me, it wasn't a plantation. It was just an old farm. I grew up with a lot of black people working in the fields, and it was during the Depression between 1930 and the war, so we were all poor - black and white.
My girlfriend comes from a farming background and I spend a lot of time at her farm doing farming stuff. When you're pulling lambs out, or weighing them or worming them or doing whatever you do to sheep you're not thinking about Brett Lee.
There is an intellectual function in us which demands unity, connection and intelligibility from any material, whether of perception or thought, that comes within its grasp; and if, as a result of special circumstances, it is unable to establish a true connection, it does not hesitate to fabricate a false one.
Reality is a harsh mistress. She demands our honesty. She demands our work. She demands that we give up comforts, that we let ourselves feel pain, that we accept how small we are and how little control we have over our lives. And she demands that we make her our top priority. But she is more beautiful, and more powerful, and more surprising, and more fascinating, and more endlessly rewarding, than anything we could ever make up about her.
Democracy demands trust. It demands that sense of mutual understanding. And - it's a two way street. You've got to give - as much as you take.
My family and I reside on a non-working farm, although we have a couple of horses and the usual stuff like pigs, cows, and chickens. We really don't have an honest-to-goodness farm, more of a hobby farm.
I work a lot on skill demands and changes in labor markets having to do with technology and with trade as well.
I think in theater it demands that you say the same words every night and make it feel fresh and new. Improv demands that you be operating at the highest level of your creativity intelligence. So these two skills are both very important but I've seen people who are very skilled at one area struggle with the other. Either improvisers feel constrained by having to say the same thing over and over again or people who are really good at doing scripted work feel intimidated and exposed doing improvisation.
Justice demands that the good and hard-working be rewarded and the evil and the lazy be punished (if only by the withholding of the rewards of doing the right things). Modern Liberalism demands that the good and hardworking be punished as the recipients of an unfair advantage and the evil and the lazy be rewarded, their acts of evil and their failure all the proof the Modern Liberal needs that somehow they have been victimized by forces out of their control.
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