A Quote by Caroline Calloway
It's not that I don't experience absolute sadness, which is very unentertaining, but I think - when I'm being really honest about myself - I think there's, like, a really performative streak in my personality.
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I think a lot of pain in people's lives comes from not being open and honest about what they really think, what they really feel, what they like, what they don't like.
It's a very performative thing, grief. As with so much in modern life, I think there's a whole performative layer to what we do because we feel like there's a private TV show viewing our lives.
Mostly I work really unconsciously, and I think if the scenes are really well written, which they are, and if I just throw myself into it, I don't really think about it.
[Being judge] is about being honest and giving everybody a fair shot and telling them what you think. Sometimes it's good and sometimes it isn't. It's more important to be honest than say things to make people feel better. I don't think you have to be rude, but I think you have to be honest. But I think it's really important to be specific: Here's what you did that was great and why. And here's what you did that wasn't great and why.
I think a lot of people think being in the kitchen is being really serious, and especially that baking is very serious, very straitlaced. For me, it's about figuring out your voice, finding your personality, and getting in the kitchen to explore.
I think the French agonise more about being French, I don't think English think about being English that much. I think the Scottish think about being Scottish and the Welsh think about being Welsh, but the English don't really care. But the French think about it all the time, it's an absolute preoccupation.
I don't really think I have the personality. I am not very external. I don't want to dance on the table and do impressions. So I think that the way I approach it is really loving story. That's my first love - the words. The words and the story and how to create images. I guess I come at that as a director. I think that's much more in my personality to be a director, so that's kind of informed my acting.
To me I think Twitter is a much more honest way to really connect with your fan base without it being the horrible magazines out there that might not get the truth right. At least this gives a little bit of an honest glimpse into someone's life without it being too overdone and too personal. You get to control it, which is what I like about it.
I don't really think about what's 'age appropriate' for my audience because I think they can handle quite a bit, but I do try to think about what's honest and true to my characters who have grown up in situations where they've been taught to handle these things very carefully and that they're very powerful.
I don't really think I feel pressured to become a teen sensation because that's not really my goal in life. It's not really about being star, being popular or having lots of girls. It's really about continuing to be able to act and have fun, and do what I like to do.
I talk openly about my past and what I've gone through - abuse being something that was very real in my household, and a lot of chaos growing up as a child. I think that I naturally just gravitated towards music that I could really feel on a deep level - and that meant sadness. I was able to connect with that at a really young age.
But you know, really, if you think about it Roger and I and all critics really have one absolute essential part of our credentials and that is that you believe that that is actually what we think.
I think for the longest time I used to be kind of embarrassed that if I hung out with someone that had a really, really strong personality, I would end up accidentally catching myself talking like them.
Architecture is really about well-being. I think that people want to feel good in a space... On the one hand it's about shelter, but it's also about pleasure. The intention is to really carve out of a city civic spaces and the more it is accessible to a much larger mass in public and it's about people enjoying that space. That makes life that much better. If you think about housing, education, whether schools and hospitals, these are all very interesting projects because in the way you interpret this special experience.
I think there's something to the millennial sentiment of being, like, 'I'm great.' But I think there's also something really amazing and powerful about being, like, 'Oh, hey, I'm awesome.' It's a fine line. But I think it's possible to be both, to not be the most annoying person in the world, to still be very intriguing and fun to watch.
Well, I think the way you feel as a teenager stays with you, forever. I really believe that. And we try to change and we hope that we change, but we don't really in big ways, in serious ways. I think the personality is formed at that time, for the good and for the bad. ... We all want to grow up and move on and appear to be different to people. And we want people to see us in a different way. But, I don't know, I think the personality is very, very strongly cemented, and we just bear whatever shortcomings we have and learn to live with it.
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