A Quote by Caroline Dhavernas
It's very witty and it's great to see teenage characters have control that way. And you can actually hear about sex and pot and it's okay, it's not completely bad and you can't say that to teenagers.
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People say 'teenage girls aren't so clever. Your characters should be less articulate to reflect our youth.' People who say that aren't spending time with teenagers.
[Liberals] think they can pass a law eliminating guns and nuclear weapons, but teenagers having sex is completely beyond our control.
The media tends to portray the teenage world as one where drinking and sex is taken for granted. In fact, I think most teenagers don't drink, are unsure of themselves, and feel awkward around members of the opposite sex.
And whatsoever is repressed has to be repressed again because victory is never complete. There is no way to destroy sex by force, by violence. There is no way to control and discipline it. The people who have tried to control and discipline it have made the world very pornographic. Your so-called saints have a very pornographic mind. If a window can be created and a hole can be made in their heads, you will be able to see just sex, pornography. it is bound to be so. It is natural.
I hear so many writers say - and these are writers that I trust completely - 'I just started hearing a voice', or, 'The characters came to life'. I am filled with loathing for my own characters when I hear that because they do nothing of the sort. Left to their own devices, they do nothing but drink coffee and complain about their lives.
Y'know, I think, inherently, when you hear something like a teenage narrative come into play, even the idea that it's being called 'teenage' is a notion that it's being reduced to a problem that's not quite adult. That's a problematic thing to say about a narrative that could actually be dangerous, could be hurtful, could be upsetting.
What I like to do as an actor is transform. It's way more fun to play characters who are completely different than me. I like playing characters who appear one way on the outside but are actually very different from that.
I think we waste a lot of time trying to convince other people that we're right. A lot of times we don't actually care what another person thinks, we just want to say what we think. To hear it reflected back to us and that we're okay, to hear that we have been understood and that we're correct - so that we can continue to be who we are in the ways we've been being, and we have nothing to feel bad about and everything is just fine. Even if what we're talking about is, like, police brutality.
Your politicians, priests, parents, they all are guilt-creators, because that is the only way that you can be controlled and manipulated. A very simple, but very cunning trick to manipulate you. They have condemned you, because if you are accepted, not condemned - loved, appreciated, and if it is relayed to you from everywhere that you are okay - then it will be difficult to control you. How to control a person who is absolutely okay? The very problem doesn`t arise.
I find it very stupid that teenagers could only see caricatures of teenagers but they couldn't see films that you try to be a truthful context, a truthful portrayal of teenagers.
I remember acting in a school play about the melting pot when I was very little. There was a great big pot onstage. On the other side of the pot was a little girl who had dark hair, and she and I were representing the Italians. And I thought: Is that what an Italian looked like?
My nature is happy. And all I can control is my response to input. If you come around me and tell me bad news all the time, I can say, "You know what? I don't want to hear it." If its just gossip, you know, I can choose not to hear it. And that, in effect, can control my mood.
None of the cartoons that I ever did are basically, if they're about sex, they're about sex in sort of this, you know, this ironic way, or the way that people actually treat it.
I'm a strong believer in telling stories through a limited but very tight third person point of view. I have used other techniques during my career, like the first person or the omniscient view point, but I actually hate the omniscient viewpoint. None of us have an omniscient viewpoint; we are alone in the universe. We hear what we can hear... we are very limited. If a plane crashes behind you I would see it but you wouldn't. That's the way we perceive the world and I want to put my readers in the head of my characters.
I think a lot of people trying to follow Buddhism these days are getting confused about sex and they don't understand what's going on. They've been exposed to a contemporary Christian idea that sex itself is evil and bad, which I'm not so sure was Jesus' idea. For me, the Buddhist approach isn't that sex itself is evil or bad but that sex is neutral. It's the way you do it that can problematic.
There was a genocide unfolding against Bosnian Muslims and we, in the United Kingdom, were incredibly angered - a teenager at the time, 15 years old, so my young teenage mind processed that in a way typical to the very passionate and angry and black-and-white way that teenagers often can do.
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