A Quote by Caroline Dhavernas
I feel everything very strongly, and that is why I am an actress. I have made such clear connections between some of my chronic boo-boos in my body and emotion. It is kind of fascinating. I really feel like as a society, we need tap into that and embrace that more and more instead of wondering why we are sick.
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Victorious. I feel that is why I did all the training, why I make the sacrifices, that is why I got into the shape I am in. I feel I have won, that's millions more coming my way, I feel great.
Fans give me abuse all the time. Nearly every team does that. If I wasn't a good player, you wouldn't feel like you need to boo me the whole game. So do that if it makes you feel better, but it does spur me on. It's like, 'You expect something from me; that's why you're doing this,' so I don't mind it. They can boo me all day long, really.
People ask, 'Why would you cast yourself in your movie?' And, for me, it's more like an achievement that I am now not playing all the parts, you know? Like I was for so long, in all my performances and a lot of my short movies. So, that's where I'm coming from, not out of a kind of actress-y sense of myself. I mean, I don't really see myself as an actress, but more from performance: this is how you make something. You do it yourself. You're in it and you write it. I think I keep doing it that way, 'cause it's my way. It's what makes me feel like I know how to do it.
I kind of see myself as a cartoon that's on its way to becoming a real person that has to find that special amulet or mushroom to get to that next realm or level. I don't feel like anything is that tangible. It freaks me out, why I feel unhappy or conflicted and why that can change on a dime. I feel very manic right now, but I'm confident where I am.
Heart is tied with a lot of controversies, a lot of heartbreaks in show business. With 'Love Marie' who I really am in the real world. I feel more free, I feel more clean. I feel like people don't judge me, and that is why I shy away from being Heart when it comes to my painting.
Since I am first of all a character writer, that character's emotions are as vivid to me as my own. I always begin with an emotion after I have established a character in my mind. I feel what they feel. I guess that is why it comes across so strongly.
On a very small scale, I kind of understand why the directors that I work with do certain things. I don't consider myself an incredible director. I'm not ready to do movies by any means. But, I feel like I can be a better actress now that I've been on the other side and kind of understand the process and more of the technical aspects of it.
I feel like only now in my life do I really get it -- do I feel that sense of calm. And I feel very grounded. I feel much more confident. I feel, you know, sexier, more intelligent, more to offer, more wisdom, more life experience to draw from.
William Stillman continues his fascinating exploration of the myriad connections between autism and human personality. The Soul of Autism makes a strong case for why we should embrace rather than fear the differences between us.
You need to keep something for yourself. As a writer, I feel that even more strongly. I feel like I need to be able to freely observe the world. That's the way I like to move through the world; I don't need to be the focus of attention. If I am, it impairs my ability to write and to do what I do.
I want each season to feel new and special. I don't want it to feel, "Oh, more of this." That's something that's easy to do in the first three seasons, and harder to do as you go. I'd rather err on the side of blowing up everything and being like, "Why did you do that? There was more story to tell there," and moving the family to Mexico like on Weeds, instead of people going, "Oh, we've seen this already. We're tired of this."
Sometimes I'll go for something more because of the story, or more because of the director. But, generally, I have to feel like it's something that I have a real sympathy for - a person that I can completely go, "Oh, wow, oh, I'm there." Otherwise I don't feel like I will be able to pull it off at all. I know I haven't done everything very well in the past; some things have worked and some things haven't. But I need to feel like I can feel about the person, understand that person, I suppose.
I have been asked so many times why I live a green life, why water conservation, why getting wells in places, why work with water organizations, why conserve water at home with double-flush toilets, why I tell my daughters, "Turn off the tap" so much. Sometimes I want to say, "I wish I knew the answer." My answer really is: I don't understand why everyone doesn't feel this way.
People always feel like there's a big split between TV and films: I'm a television actress, I'm a film actress. Maybe that's how it was but I feel like there's not that separation anymore. And actors are able to kind of flow between both worlds - and connect to both audiences.
Why do we smile? Why do we laugh? Why do we feel alone? Why are we sad and confused? Why do we read poetry? Why do we cry when we see a painting? Why is there a riot in the heart when we love? Why do we feel shame? What is that thing in the pit of your stomach called desire?
Do you believe in reincarnation?...I was wondering why some connections seem so easy, so natural, as if they'd already been made and are getting picked up again.
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