A Quote by Caroline Dhavernas
You hear stories like that of Canadians trying to get in, but when you go back home, you don't expect that.
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The people who go get an LL album want to hear LL. They don't want to hear LL trying to sound like DMX or whoever else is out there. That's not what they want to hear from me, because if they want to hear that they can go get the real thing.
The stories we sit up late to hear are love stories. It seems that we cannot know enough about this riddle of our lives. We go back and back to the same scenes, the same words, trying to scrape out the meaning. Nothing could be more familiar than love. Nothing else eludes us so completely.
I ain't never loan friends money; I give it to 'em and I don't expect to get it back. Even when he says, "I'll pay you back," I never expect it. If he gives it back, then hey, that's a feather in his cap, but I don't expect to get it back.
I couldn't ever go back home without being something. I probably would never have gone back home. That was definitely a big motivation. To get back home, and not empty-handed.
We're actors at the end of the day. I don't take it home with me. My experience outside of work, I love... when I hear wrap, it's the most exciting part of my day. I'm the first to have my make-up off, in the car, out. I've gotta go home. I want to get back to my life. I love it back there.
I think my home country, Canada, has the most vocal fans. It feels unbelievable when I go home to feel such love. It's amazing whenever I get that kind of support, but to be able to connect with my fellow Canadians is awesome!
I can't believe that people really prefer to go to the concert hall under intellectually trying, socially trying, physically trying conditions, unable to repeat something they have missed, when they can sit at home under the most comfortable and stimulating circumstances and hear it as they want to hear it. I can't imagine what would happen to literature today if one were obliged to congregate in an unpleasant hall and read novels projected on a screen.
I firmly believe as an author you have to go out in life and hear the stories of people. In pubs in the UK or a retirement home in the US it is the stories of others that bring a book to life.
I can't wait to go back home and disappear into relative obscurity for a bit. I just want to go back to my house and just get away from it all for a bit. It's so flattering to hear people say nice things about the performance, about the Harry Potter film. It's great. Don't get me wrong. I'm not ashamed of it. I'm not shunning it. It's just been such a bubble I've been in, with these promotions.
I do not agree with Thomas Wolfe... about anything. You can go home again as long as you don't expect home to be what it was when you left it. Or you don't expect yourself to be what you were when you left home.
I hear stories of kids trying to swipe left or right on books - we have to rein that back a bit and not become drones ourselves. The more we embrace it, the more machine-like we risk becoming.
It's amazing when you go back home now, when you remember how you were before. You go back home and all those people are calling your name, shouting. I get mobbed by the kids. They want to see you, want to know you.
...the dark ancestral cave, the womb from which mankind emerged into the light, forever pulls one back - but...you can't go home again...you can't go...back home to the escapes of Time and Memory. You Can't Go Home Again
I've got to the point where I just get on with it and the content of what I put on the records is determined from what I learn from the audience, from what works live, from what I want to hear when I go to a club or what I'd like to play when I get home.
When I hear other people's stories, I like to believe that they contribute to my 'Encyclopedia of Human Experience.' The stories I hear help me expand my definition of what love is, what pain feels like, what sacrifice means, what laughter can do.
I'm the kind of guy that if I go to a concert and hear something that knocks me out, I don't want to be left out of that. I'm going to try to get into that, and I'm running back home to practice.
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