A Quote by Caroline Dhavernas

The little boy, Spencer Breslin, it was just so great to have a kid on set. He is talented, he's a pro. He's been doing this for years, I think he started when he was four or five.
I fell in love with the ocean when I was just a little kid, four or five years old, I was a junior ranger, I was going out and doing intertidal stuff, walking around and sticking my finger in my first sea anemone and picking up starfish and all that. It gripped me when I was young.
The other thing was that when I was at the University of Miami, we ran a pro-style offense and defense. I started each year by going to a pro training camp, I visited with various pro coaches, and I did this for five years.
It's easy to go somewhere where everything already is set up and they've been to the playoffs four, five years in a row. I've been on those teams. Those are great experiences.
It wasn't until I hit 20 that I became an obsessive reader, I think, which feels a little funny considering I was a bookseller for five years and have been reviewing YA novels for four years.
Even your most talented employees have room for growth in some area, and you're doing your employee a disservice if the sum of your review is: 'You're great!' No matter how talented the employee, think of ways he could grow towards the position he might want to hold two, five, or 10 years down the line.
I've been rapping and writing since junior high school, just having fun with it as a hobby. Then I got signed to a label Poe Boy Entertainment four years ago, I started taking it serious about a year and a half, two years ago.
I've never been healthier. I haven't had a cigarette in two years. I run four or five miles, four or five times a week. I've been healthy and having a really good time.
We started filming in 1993 which was only four years after the fall of communism. The difference in Budapest over the last five years has been remarkable.
I just started the way most comics start, doing open mic shows around Sacramento and San Francisco, and eventually, I moved to L.A. After about four or five years in L.A., I got the call to join the 'The Daily Show.'
I started watching Formula 1 with my dad when I was just four or five years old. I loved cars.
Honestly, I was just happy to get the work. I was chuffed to bits. I know David Furnish and Elton John a bit and I remember David talking very excitedly about it. This was going back four or five years even, when we were doing Little Britain at the Hammersmith Apollo. I'd lost my voice that night, but still did the show. I remember thinking: "God, they're going to think that's my voice and I'm not going to get in the film!" But it's just been a pleasure to be a part of.
I'm especially thankful for being able to coach so many talented young men over my 18 years here. It has been so rewarding to see these players come to OU and mature over a four- or five-year career, and not just on the field. To play a small part in their growth is what I will always cherish the most.
The first 10 years, I was just building just to understand what I was doing and I didn't trust my intuition to just produce. Then, in the last five years, I have really been reflecting on what I am producing and what it is doing.
I've just been playing football for a long time. I've been playing football since I was a little kid, so it's just some natural blessings that God has blessed me with to get to the ball and understand what I've been doing over the years.
I can think back to being four or five and not wanting to sit at the kids' table because I thought it was demeaning. I was this ridiculous little kid.
I think it started with both the shows and the box set from finishing White Material. I think we were also pretty desperate to get it released. We felt pretty proud of it, and it just escalated from there. We were thinking about playing some live shows, doing the soundtracks live. It was just trying to shine a little light on this 15 years of work we've done.
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