A Quote by Caroline Goodall

The influence of Steven Spielberg to my career is unquantifiable. Every day on the set with him is a master class in filmmaking. — © Caroline Goodall
The influence of Steven Spielberg to my career is unquantifiable. Every day on the set with him is a master class in filmmaking.
The idea of working with Steven Spielberg was very attractive. He's such a master. He knows the language of the camera and of filmmaking, which gives him a great freedom.
I'd have to say Steven Gerrard has been the biggest influence in my career so far. I watched him when I was younger and then to go and play and train with him every day is massive for me, and still is now.
I had written the script for Juno and apparently Steven Spielberg had read it. I can't just call him Steven, that's weird... Mr. Spielberg had read it and he liked it. He asked me if I would write this television show for him and I said, 'Yeah!'
I love Carpenter, I love Craven - these are all the classics - the Romeros of the world, but I think the biggest influence on me as a storyteller and as a filmmaker is actually Steven Spielberg. I love that even though Steven isn't known for being a horror director, he started out his career making scary movies.
Among today's directors I'm of course impressed by Steven Spielberg and Scorsese, and Coppola, even if he seems to have ceased making films, and Steven Soderbergh - they all have something to say, they're passionate, they have an idealistic attitude to the filmmaking process. Soderbergh's Traffic is amazing. Another great couple of examples of the strength of American cinema is American Beauty and Magnolia.
My first teacher was Steven Spielberg. I worked on Amazing Stories. That was my first job, as a writer and as a story editor. Watching him and his command of the tools of filmmaking, and his admiration for writing and the story itself, was the greatest lesson I ever had.
My dad couldn't connect to my wanting to be a filmmaker. He was very connected in entertainment, and through him I met Steven Spielberg and got rides on his private plane to California. I'd see Spielberg's people reading scripts. I was like, 'That's what I want to be when I grow up.'
When I got on the set of 'Saving Private Ryan,' I discovered, to my amazement, that Steven Spielberg is a gamer.
I like how you can go back and watch David Lean and John Ford and see the influence that had on Steven Spielberg, especially David Lean, in the camerawork, and yet, you don't watch any Spielberg movie and think of David Lean. Once you're looking for it, you see it all, but it's not in your face.
The way Steven Spielberg sees the world has become the way the world is communicated back to us every day.
Steven Spielberg had a tremendous influence on me through his early stuff. 'E.T.', 'Close Encounters of the Third Kind' - 'Jaws,' I think, is one of the most beautifully directed films ever.
I spent time on set in New York and Berlin sitting next to Steven Spielberg while he worked, which was the biggest thrill of my life.
What always made me proud - almost blushing with pride - is that Francis Coppola, Martin Scorsese, Steven Spielberg all told me that 'The Conformist' is their first modern influence.
Someone asked me the other day, 'What's the biggest influence on your filmmaking career?' And they started naming filmmakers. I went 'Naw, it's Jesus actually.'
By the time May rolls around, I'm probably going to want to spend a month on an island. But if Steven Spielberg or Steven Soderbergh or any number of directors were to say 'Hey, there's this role, are you interested?' I'd be there in a flash.
By the time May rolls around, I'm probably going to want to spend a month on an island. But if Steven Spielberg or Steven Soderbergh or any number of directors were to say 'Hey, there's this role, are you interested?' I'd be there in a flash
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