A Quote by Caroline Kennedy
There's so much to think about when you're becoming an adult, and there's so many great poems about that apprehension and excitement.
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When I worked on a magazine, I learned that there are many, many writers writing that can't write at all; and they keep on writing all the cliches and bromides and 1890 plots, and poems about Spring and poems about Love, and poems they think are modern because they are done in slang or staccato style, or written with all the 'i's' small.
For expectant mothers there's so much to think about - and so much to prepare for. In amongst those many thoughts and all the excitement are also some concerns, not least the serious worries for many about what will happen at work.
It's about learning your craft. That's a wonderful thing--especially with today's consumerism and instant gratification. You can'tbuy that. It's about making decisions, corrections, choices. I don't think it's so much about becoming a tennis player. It's about becoming a person.
I don't think I did write any poems to fill narrative gaps. Not consciously, anyway. As much as possible, I try to discover my poems' subject matter through the act of writing, instead of deciding ahead of time what my poems will be about.
I'm the youngest of six kids, and when a you're living in such a big family, you never really become an adult, and I'm so happy about that. At my 34, I think, "Even if I end up becoming a dad or something down the road, I don't think I'm ever going to be an adult. I'll just be a kid raising a kid.".
When you are sixteen you do not know what your parents know, or much of what they understand, and less of what's in their hearts. This can save you from becoming an adult too early, save your life from becoming only theirs lived over again--which is a loss. But to shield yourself--as I didn't do--seems to be an even greater error, since what's lost is the truth of your parents' life and what you should think about it, and beyond that, how you should estimate the world you are about to live in.
It's a big thing to call yourself a poet. All I can say is that I have always written poems. I don't think I'm interested in any discussion about whether I'm a good poet, a bad poet or a great poet. But I am sure, I want to write great poems. I think every poet should want that.
I think of myself as quite a confused kind of person, because I think there's so many great things about the world, but there are so many awful things too. I feel very guilty a lot of the time about enjoying my life so much when there are people living in such misery.
Poems don't have to rhyme... Poems are about beauty and emotion; in other words poems are about feelings.
When I first thought about becoming Jane Austen I had to forget about the fear, or at least choose something else to focus on because it was becoming paralysing, I couldn't focus. I felt frightened, not so much by her fans' reaction to my performance but that I would be playing someone who I think is a legend, who I respect and admire so much. I didn't want to fail, so I was putting a lot of pressure on myself.
I'm working on poems about work, I guess. Or related to work. Which sounds dull as drywall but I'm having great fun working the vernacular of work into poems. I'm also writing some poems about family. And I don't know, just writing. Taking breaks. Writing some more.
I began to discriminate between fear and excitement. The two, though very close, are completely different. Fear is negative excitement, choking your imagination. Real excitement produces an energy that overcomes apprehension and makes you want to close in on your goal.
It's about panic. It's about fear. It's about instilling the American populace with terror, dread, and apprehension about the future. It's all about making you think that your way of life is "destroying the world." America is the root of all evil in the world, according to the environmentalist wackos. You, the citizens of the United States, are ruining everything.
Except, I think, it's more about me growing up and becoming an adult that I have this new best-friend type of relationship with my mom.
It's difficult to talk about [W.S.] Merwin's poems, as it's hard to talk about a feeling or a smell. It is what it is, but so much so that it overwhelms both sense and the senses. I aspire to something about his work, that imbues his poems, though I'm not sure I could say what that is. A purity, maybe, the kind of purity that comes from being beaten, like steel.
When I first became brave enough to tell people that I wrote poems, so many people would rave to me about Edna St. Vincent Millay's work. I was embarrassed not to have read her, and I think that put me off from reading her for a long time. So many of her poems are just impeccable.
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