A Quote by Caroline Knapp

I've always been drawn to solitude, felt a kind of luxurious relief in its self-generated pace and rhythms. — © Caroline Knapp
I've always been drawn to solitude, felt a kind of luxurious relief in its self-generated pace and rhythms.
I have always been drawn to designing fashions that are rebellious, like black leather jackets on suburban kinds, a corset dress, punk, blue jeans. I love that. Fashion changes all the time, and what is considered extreme or elegant or luxurious (or not luxurious) is changing all the time.
Well, the whole trick to doing an independent film, is to keep great pace and momentum. You're shooting maybe three times as many scenes in one day that you would on a big, luxurious budget on a luxurious schedule, and you try not to sacrifice quality for that. Things are just compressed, but essentially the same.
There are so many fantastic roles, but the ones that have always drawn me to them are the loners who, for whatever reason, never quite fit in and knew it and had to find their own way. I've always been drawn to that, for some reason. I've always been drawn to that sad, isolated place, but what it produces in behavior is something else, entirely. For whatever reason, I'm drawn to these people. Essentially, I think what draws me is that they are survivors against rather considerable odds.
I've never been lonely. I've been in a room... I've felt suicidal, I've been depressed. I've felt awful ... awful beyond all , but I never felt that one other person could enter that room and cure what was bothering me...or that any number of people could enter that room. In other words, loneliness is something I've never been bothered with because I've always had this terrible itch for solitude.
Singing has always been something that I've loved to do, but I never thought about doing, professionally. I always felt more drawn to acting.
I feel like, as a filmmaker, I'm at my strongest when I write the script and when it comes from me, out of whole cloth. My best work has always been self-generated.
As I flew back from New Zealand to bury my mother, it occurred to me that no matter how harrowing her loss was and how keenly it will always be felt, there was, nevertheless, a sense of relief that my father, sisters and I could say a final goodbye after the longest goodbye and relief that my mum had finally been released.
I was always drawn to the self-destructive kind of way. I thought there was something beautiful about it; I don't know why.
I don't think anyone has ever really been able to marry tech, fashion, and this concept that sustainable material, up-cycled material can be luxurious. And nothing is more luxurious than gold, right? Gold is luxurious because it's gold, post-consumer or virgin. Whatever it is, it's just gold.
I was really drawn to spoken-word style poetry. I loved the rhythms, and for some reason, I was just drawn to this poetry as a way of expressing my feelings, because I didn't have any other outlet.
I had been educated in the rhythms of the mountain, rhythms in which change was never fundamental, only cyclical. The same sun appeared each morning, swept over the valley, and dropped behind the peak. The snows that fell in winter always melted in the spring.
The rigors of creativity - the self-doubt, the revising, the solitude - do require a kind of self-consumption. It comes at a cost; a cost that isn't for everyone.
Loneliness is black coffee and late-night television; solitude is herb tea and soft music. Solitude, quality solitude, is an assertion of self-worth, because only in the stillness can we hear the truth of our own unique voices.
I have always been drawn to strong and interesting women, people who have navigated that world before you and maintained their integrity and sense of self.
The fantasy we had with pearls was always so luxurious and unique with a kind of rareness.
Manhattan has generated a shameless architecture that has been loved in direct proportion to its defiant lack of self-hatred, has been respected exactly to the degree that it went too far.
This site uses cookies to ensure you get the best experience. More info...
Got it!