A Quote by Caroline Leavitt
I call Algonquin Books 'the gods and goddesses of publishing.' Not only did they give me a career, they care deeply about every writer in their flock.
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If you don't put 99 percent of yourself into the writing, there will be no publishing career. There's the writer and there's the author. The author - you don't ever think about the author. Just think about the writer. So my advice would be, find a way to not care - easier said than done.
'Harry Potter' opened so many doors for young adult literature. It really did convince the publishing industry that writing for children was a viable enterprise. And it also convinced a lot of people that kids will read if we give them books that they care about and love.
The three major mother gods of the Eastern populations seemed to be generating and destroying entities at the same time; both goddesses of life and fertility as well as goddesses of death.
In Bengal, Hindus are known to crack jokes at the expense of their gods and goddesses and that's what I did.
My flock is black, my flock is white. One has got to say to our people, "I love you. I care for you, enormously." And when I care about black liberation, it is because I care about white liberation.
One of the great advantages of only publishing five books per year is that I get to be excited about every book.
I just want to learn even more about my culture and about the Algonquin culture because I fell in love with Pocahontas and the Algonquin tribe.
There are so many fantastic stories and I want to bring Thor and Odin and the other gods into the modern world, just like I did with the Greeks and 'Percy Jackson.' I'll give the books an urban setting and have young people interacting with the Norse gods.
Boileau said that Kings, Gods and Heroes only were fit subjects for literature. The writer can only write about what he admires. Present-day kings aren't very inspiring, the gods are on a vacation and about the only heroes left are the scientists and the poor.
There's nothing illogical, it seems to me, about saying, 'I am going to care deeply about my work and my writing. I'm also going to care deeply about my family and my child.'
That is the person you want publishing your book. To be in it, you really have to believe in books and love whatever it is you're publishing. Both on the book side and especially on the magazine side, I've had editors that I did not get the same feeling from. That feeling of, "This is something I believe in, I don't care how long, I'm going to publish it" - that kind of passion and commitment means a lot to you.
I get a phone call once every 18 months from some mad person who wants me to do something for less than no money and they give me about a week's notice. That's my film career, most of the time.
Being somebody who's like a theater geek that I am, I can just go right back to Aeschylus and Euripides and Sophocles: they were writing about gods and goddesses versus humans, and how gods could distort, pervert, or help people get what they want.
Someone ought to publish a book about the doomsayers who keep publishing books about the end of publishing.
Treat your career like a bad boyfriend...
Your career wont take care of you. It won't call you back or introduce you to its parents. Your career will openly flirt with other people while you are around... You have to care about your work, but not about the result. You have to care about how good you are and how good you feel, but not about how good people think you are or how good people think you look.
The Aztec gods and goddesses are, as far as we have known anything about them, an unlovely and unlovable lot. In their myths there is no grace or charm, no poetry. Only this perpetual grudge, grudge, grudging, one god grudging another, the gods grudging men their existence, and men grudging the animals. The goddess of love is goddess of dirt and prostitution, a dirt-eater, a horror, without a touch of tenderness.
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