A Quote by Caroline Polachek
I think all the songs [at Moth] are about different things, but if we were to speak about it as a whole, it's really about, it's about joy, and about sensuality and vulnerability and also fun, energy, living in New York in 2015, being out of control, wanting to be in control, failing! It's a sort of story of our lives.
Related Quotes
When we hear about rent control or gun control, we may think about rent or guns but the word that really matters is 'control.' That is what the political left is all about, as you can see by the incessant creation of new restrictions in places where they are strongly entrenched in power, such as San Francisco or New York.
Cooking professionally is a dominant act, at all times about control. Eating well, on the other hand, is about submission. It's about giving up all vestiges of control, about entrusting
your fate entirely to someone else. It's about turning off the mean, manipulative, calculating, and shrewd person inside you, and slipping heedlessly into a new experience as if it were a
warm bath. It's about shutting down the radar and letting good things happen. Let it happen to you.
Everything is super personal. Basically all of the songs are 'this is my life and what I feel about it.' That's how my brain works and thinks about things. It's really strange because I never really think about what I want to write about - it sort of just comes out. I literally say whatever is in my brain.
What's interesting about science is that we're constantly discovering new things about the universe, about ourselves, about our bodies, about diseases, about the possibilities of the future. It's amazing. Science is one of the coolest things about being a human being - without a doubt.
If we're going to make progress on this issue [of contraception], we have to be really clear about what our agenda is. We're not talking about abortion. We're not talking about population control. What I'm talking about is giving women the power to save their lives, to save their children's lives and to give their families the best possible future.
I don't mind being labeled as a political songwriter. I've chosen to do that. What really annoys me is being dismissed as a political songwriter. That really pains me, because life isn't all about love; it's not all about politics, either. It's a beautiful mixture of events that absolutely baffle you, and you think, "Why can't I do something about that?", whether those events are in your bedroom, or out there in the wide world. In our daily lives we engage with them at different times, and I'm trying to write about the whole human experience, or my perspective on it anyway.
There are things in your life which you are in control of, and those you're not. You need to not care about those things which you're not in control of, and when you come to really understand that, you can go from being really upset about something to that lovely feeling of being a kid where everything is okay.
'I Met You When I Was 18' is a collection of songs, a story about moving to New York City when I was 18 and falling in love for the first time. A story about trying to figure out your own identity whilst being deeply intertwined with someone else's.
What's really important is people I care I about. My wife and my family and being together, and finding what works for us. There's so much in the world that's out of our control, so I want to focus on things that are in control.
It's not about contraception. It's about economic liberty, it's about freedom of speech, it's about freedom of religion, it's about government control of your lives and it's got to stop!
I did an interview where they were harping on and on about sensuality and sexuality... really, I have nothing to say about any of that stuff because it's so boring and I never think about it.
Thinking about making a love story without music was really frightening, Sciamma admitted. Because every love story we know, we think about 'Titanic' we think about the music, we think about 'Gone with the Wind' we think about the music, we think about 'E.T.' we think about the music, and every love story has its own tune, 'That's our song.'
Taking drugs on a recreation level is one thing. But taking them while you're working on a stage is, I don't think it was that great. It's the control factor. And the thing about being on stage, you really want to feel that you're sort of in control a lot. It's not a place where you want to be out of control.
After Stand By Me came out, people were telling me, 'You're so good,' 'You're going to be a star,' and things like that. You can't think about it. If you take it the wrong way, you can really get high on yourself. People get so lost when that happens to them. They may think they have everything under control, but everything is really out of control. Their lives are totally in pieces.
The thing I loved about my old punk band, it wasn't really about being vulnerable, it was about shouting and being fun and being aggressively political, which I thought was really cool and really fit that energy.
It makes no sense to worry about things you have no control over because there's nothing you can do about them, and why worry about things you do control? The activity of worrying keeps you immobilized.
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