A Quote by Caroline Polachek
I was really inspired by this feeling of mania, a caricature of myself that I look down upon and see negatively.
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I dress how I feel that day. If I'm feeling tired, you might see me in a hoodie. If I'm feeling like I want to dress up, you might see me in a button-down. I try to mix it up with my shoes, but I don't really look at it as competitive, like, 'I want to dress better than this guy.' I'm just myself.
In the '70s, Leo-mania was the equivalent of Beatle-mania down there and they still love me. In Australia they still want heroes.
My drive to put myself on the line comes from boredom. From that feeling when you go to bed and think, 'What did I do today?' It doesn't have to be something monumental, just a feeling that you really tried to look at something, or look into something.
We may say that hysteria is a caricature of an artistic creation, a compulsion neurosis a caricature of a religion, and a paranoiac delusion a caricature of a philosophic system.
I look at a lot of artists. I'm inspired by - I suppose I shouldn't say 'inspired,' but it's not really influenced. I am inspired. Art comes from art.
Drawing is what you see of the world, truly see...And sometimes what you see is so deep in your head you're not even sure of what you're seeing. But when it's down there on paper, and you look at it, really look, you'll see the way things are...that's the world, isn't it? You have to keep looking to find the truth.
In my dreams, whatever I am doing, I look down to see if I have prosthetics. It sets my time frame in my dream, I think. I'd have these dreams that I am running and launching myself, and I look down and see that I have prosthetics. I have a lot of those, where I do great, amazing things with my prosthetics.
When I'm feeling down on myself or not feeling good about who I am, or maybe something happened and I'm feeling depressed, I eat to fill that void. Afterwards I'll beat myself up about it. I regret doing it, but I'll turn around and do it again.
I grew up never seeing myself on-screen, and it's really important to me to give people who look like me a chance to see themselves. I want to see myself as the hero of any story. I want to see myself save the world from the bomb.
I've had to really teach myself that when you're not feeling it, you shouldn't write anything down because you're going to end up coming back and re-writing it later. Whereas, if you write when you're feeling something, when you're really in the streak, then that's when you're going to get your best stuff.
I don't have a philosophy of caricature. I'm not even sure I am a caricaturist, in the strictest sense of the word - I don't really exaggerate much. For a while, recently, I was thinking of attempting a reverse-caricature of Donald Trump; he certainly already appears to be a caricature of himself. I wondered about de-caricaturizing him, scaling back his whole face and hair and visual excess, and attempting to shed light on him that way.
When I look at someone's face, there's something in my brain that just clicks - that breaks down their face into the elements that go into a caricature. It might be like the way a chef tastes a dish and can break down into elements what went into it.
Melancholia is the beginning and a part of mania. The development of a mania is really a worsening of the disease (melancholia) rather than a change into another disease.
For a moment the feeling crept over me that my work, my vision, is going to destroy me, and for a fleeting moment I let myself take a long, hard look at myself, something I would not otherwise do--out of instinct, on principle, out of self-preservation--look at myself with objective curiosity to see whether my vision has not destroyed me already. I found it comforting to note that I was still breathing.
As soon as I sat down to write music, really, with Café Blue. I just can't think about that when I sit down to write. I don't let myself. I actually don't allow myself to look at sales figures. Ever. I get the general impression that I'm not selling like Norah Jones, but I don't really pay too much attention, because I think it would corrupt me.
The national media don't know me. They know the caricature that was created of me by journalists who were frankly jealous of my access. And it was a very negative caricature. There's this propensity for blaming a woman. It comes down to implicit bias. There are so many studies that show this.
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