A Quote by Caroline Polachek
I think there was a real lane built for indie bands during the time when Chairlift came up.
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When I got my record deal at Atlantic, at the time, 'indie' wasn't a style of music: it was a kind of label. And I think, eventually, the bands that ended up on those labels began to be branded as 'indie bands,' and then it became a genre.
When we first came out it was this happy accident, and I was sort of into hardcore at the time. Jordan our singer was really into Jawbreaker and a lot of indie rock bands and old Dischord bands, and sort of like more of the indie side of music. Our bass player was really into West Coast punk.
I didn't grow up with indie rock - I mean, I listened to bands that are considered indie rock, but I think that term is dead and uninteresting.
When we opened Babbo, we were an indie band. Now we're kinda Apple. We have 19 restaurants and 2,800 employees, we are no longer perceived as the indie band although we think of ourselves as the indie band, and we operate our restaurants as individual indie bands.
There's a whole apparatus for indie bands now, but back in the eighties it was just getting built. The early people really took it on the chin.
I don't know if i have a 'take' on L.A. The music community is enormous, from the studio musicians to the bands trying to 'make it' to the indie bands... so many bands... it can be overwhelming. But it seems healthy.
But, then again, I wouldn't call myself an indie-rock supporter even if there are some really good bands out there and there will always be some real good new bands.
I'm not talking about what came later [after the American underground punk scene], indie music, or whatever you want to call it, but the music that came before that - that's an important story. So many interviews with musicians get the time or context wrong. You have these older bands, usually men, who tell stories about "Oh, we got into this huge fight, this guy punched that guy," that's the wrong sort of story. My view of the time is truly pioneering.
Here's the thing. You can't get ten thousand hours of skiing. You spend so much time on the chairlift. My coach did a calculation of how many hours I've been on snow. We'd been overestimating. I think we came up with something like eleven total hours of skiing on snow a year. It's, like, seven minutes a day.
I think there are plenty of good bands out there, but the great bands aren't affected by what's going on around them, trends and all that and competing with other bands and wanting to be the biggest, we find that happens a lot. Bands look at other bands and think: that's what I want, you know? I think that remaining.
In the 80s there weren't so many bands around and nowadays there are a lot more bands around. I think sometimes there are too many bands. But there are a lot of interesting young bands around. They are not really playing the classic metal stuff, that's up to the old bands.
First off, I don't want anyone to think I'm this huge thing in Japan. Every group from here that's made any records over any length of time - even indie bands - have a Cheap Trick effect in Japan.
I came up playing in both punk rock bands and hip-hop bands, and I found a more universal way of reaching people, especially with music that has a message to it.
I think people are willing to take more of a risk on an indie film, about character, etc...but at the same time, when I work on projects that are substantially bigger, in a way they do feel small. Even though the catering is way better and we actually have someone shooting with real film.... The budgets are bigger but the story still feels small, like an indie film.
The '60s was a magical time in the music business. So much creativity and talent. I think a lot of it came from the fact that we had grown up before rock n' roll. We listened to all the great songwriters and big bands, songs with great lyrics and melodies. I think that really influenced everybody.
When I go skiing in New England, I usually wake up early and drive up to Vermont, New Hampshire, or Maine to make it in time for chairlift opening. That means leaving early and getting breakfast at one of the little quaint diners up in the mountains.
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