A Quote by Caroline Polachek

Panging is the kind of sharp pain you feel inside when you're reminded of some kind of unattended need or something that you've neglected. — © Caroline Polachek
Panging is the kind of sharp pain you feel inside when you're reminded of some kind of unattended need or something that you've neglected.
I am a creative person and it's important for me to get that out there, kind of like eating food. It's something I need to do to feel happy. It's some kind of drive and I don't know how to explain what the reason is, but it's something I have a need to do.
Like I can't cry for myself so I will let this song take all of the things inside I can't let anyone else see and offer it up, as if the sound were some kind of god, and my pain is some kind of sacrifice.
When I meet children and people who suffer, when they mention any kind of pain, emotional pain, physical pain, I know what they need, because it's the same thing I need. They need healing, they need peace, they need joy, they need hope.
You can see desperation in people who are too eager to laugh because they're in such a hurry not to look at what's confronting them in their lives and that's kind of sad because there's a kind of pornographic aspect to it, of making some sort of pain go away, of hovering around a pain, making yourself numb, not feel anything.
In depression, your capacity to feel just flattens and disappears and what you feel is pain and a kind of pain that you can't describe to anybody. So it's an isolating pain, a completely isolating pain.
I am gay on the outside, especially among my own folk (I count Poles my own); but inside something gnaws at me; some presentiment, anxiety, dreams - or sleeplessness - melancholy, indifference - desire for life, and the next instant, desire for death; some kind of sweet peace, some kind of numbness, absent-mindedness.
Some people are very dictatorial and it's not a good feeling, and it kind of inhibits you, because you feel like you have more to offer than what they're trying to squeeze you into, some kind of box or something like that.
I feel like once you start to tell yourself that it's your last year, you kind of aren't as sharp and lose some attention, drive and hunger.
What is it that turns people into artists? It often comes from some kind of pain or angst, a need to understand or express something. It very rarely comes from confidence, being raised by parents who want to hear what you have to say and wants to encourage you.
All men who have ideals . . . live by some kind of faith, by committing themselves to some kind of loyalty which is not universally recognized as the common property of all thinking men. They must have something-something outside themselves, to make them feel life is worth living, that good rather than evil is the explanation of the world.
The body is some kind of image of you, it's kind of something that's just attached to your soul, some kind of outside principle, which doesn't really represent who you really are.
Just when you look around and you see people with straight hair in media, you kind of feel the need to fit in, so it's kind of a constant battle loving my hair. It's something that I'm continuously working on.
If you're not an actor, or if you're any other kind of artist, there's this sense that, "I must express this thing." Why make a painting if you don't feel like you have to for something inside of yourself? Why make a song if you don't feel like you have to because there's something that you need to get out? And when you're an actor and you're not performing text that you've written, I think there's this bizarre disconnect with the must-ness of it.
When I talk to a few thousand people, I just feel I am talking to an old friend. Like that. I never felt some kind of distance, so therefore, I feel one source of happiness. In that kind of atmosphere, my experience seems some benefit to some people.
If I don't have something to do, I'm not the kind of person who can sit on a beach on holiday. I've got to go and check things out and see things and look at things, and have some kind of itinerary in my mind. I think that a lot of people who are, in some ways, successful are kind of like that.
On a day-to-day basis, you get tired of waiting to be accepted. In show business, someone else has to say that you're good or that you're worth going to see or worth taping a show. There's a lot of pain here. There's a lot of pain inside. I'm a sad, crying-on-the-inside kind of clown.
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