A Quote by Caroline Polachek

I think that's a big trope in pop music: the blaze-of-glory breakup. It's not one that I particularly identify with, but it's definitely possible. — © Caroline Polachek
I think that's a big trope in pop music: the blaze-of-glory breakup. It's not one that I particularly identify with, but it's definitely possible.
Saying you're a pop group isn't saying very much. Personally, when I think of pop, I think of instant, accessible, catchy songs - I definitely identify our music as that. I think that by writing pop, or instant, accessible or hopefully catchy music, it shoes you into bigger audiences because it seems that more people like that music. I think the possibilities are endless if you stick to a simplistic short song; the music can be as wild and bizarre as you want it to be, as long as at the core of it, there's something really strong.
With pop music and pop musicians, you know everything about everyone all the time, particularly their physical appearance. With female musicians, that's made a big thing of, and I think people, certainly with me, have appreciated a bit of mystery.
I think pop music is in such an exciting place right now, and I do kind of credit that to Lorde with 'Royals.' I think that song changed everything in the pop scene. All of the sudden, alternative pop music became pop music.
I love pop music. I listen to it; I think you can hear it in my songwriting and my album. I'd definitely say it's country-pop music, but it's country first.
Im a big fan of pop music - I think Marvin Gaye was pop music; things like that.
I'm a big fan of pop music - I think Marvin Gaye was pop music; things like that.
We're all big fans of pop music; this is definitely the direction we've always wanted to head in.
Contemporary art will never achieve the audience of football, pop music, or television, so I think we should stop comparing its possible area of influence to that of big mass-media events.
That's the thing: pop music has sometimes had a bad reputation for being about a lot of other stuff than the music. And I am just a lover of pop music. I love pop. I love big choruses. Dramatic choruses - they're the best thing in the world. And I do this because I love making music and performing the songs.
I think that for a lot of us gay people, we do feel that pop is our music. We identify with it and its iconography, and that's been a tradition.
I think pop music was going through a phase where it was like pop but dance-hall or pop but R&B. But, no, I just want a pop song.
I'm not a pop rapper. That's nothing against pop music - I love pop music. I've jumped on pop records for people and still will, but I'm not a pop artist. I didn't start from there. I started in underground music. I consider myself an underground artist, as well as a producer.
That's the brutality of a breakup, isn't it? The people leaving think they did everything possible, the people left behind think what is possible hasn't even been tested yet.
[ Blue is the Warmest Color ] was really a film about two people having to go through a relationship which everyone knew would lead to a breakup and the pain that that entails. Anybody can see that story, what leads to that, and identify with it. As a filmmaker, I wanted to construct this identification process with the characters so that you fully connect to their emotions and what their breakup [represents].
I think people who just know me from my band think I don't like pop music. The truth is I love pop music.
I mean, I do consider that my music is pop because Ive been influenced by pop music my whole life; I grew up in the States and 80s pop music was my biggest influence.
This site uses cookies to ensure you get the best experience. More info...
Got it!