A Quote by Caroline Polachek
Young people have realised that an artist is in charge of what they're doing - this crazy cynicism that artists were puppets has disappeared.
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I didn't want people to know that I was an artist. I was ashamed. I thought artists were weird, crazy people, you know. So I always kind of hid the fact that I was an artist.
I just like artist-driven projects, but for artists themselves: artist spaces, artist mentor programs, and artists buying buildings and making lofts. Doing whatever we can do. Because at the end of the day, I really think that we as a community only have each other.
We're also irreverent, we have an irreverent attitude towards puppets, as well. So a lot of what we do is we're kind of making fun of the puppets for being puppets, even while we're doing it. And again, that all feeds into the absurdity of this show.
I don't think people are terribly interested in young artists who were doing interesting thing, but I don't think people are terribly interested in young artists.
The artist is the lowest form of life on the rung of the ladder. The publishers are usually businessmen who deal with businessmen. They deal with promotional people. They deal with financial people. They deal with accountants. They deal with people who work on higher levels. They deal with tax people, but have absolutely no interest in artists, in individual artists, especially very young artists.
When I was a young artist, and I would go look at other artists' career retrospectives, and I was often disappointed with the lack of story line... What was missing to me was the story of where the artist came from and how they got to where they were.
I was worried that I, the artist Morimura, would have conflicts with the participating artists and develop a strenuous relationship with them. But the actual experience was completely the opposite. The artists accepted my requests rather positively, because it came from a fellow artist. I strongly feel that the fact that my being an artist avoided the usual curator vs artist tension, and led to creating a positive atmosphere as well as developing a solidarity amongst artists and building a community for artists.
Being an artist doesn't just mean you have a song. That doesn't make you an artist. The word 'artist' means so many different things, and I feel like to be a real one, you really have to do it all. The people that I think of as artists - Tyler the Creator, Childish Gambino, Kanye West - are doing the most.
One of the hardest lessons in young Sam's life had been finding out that the people in charge weren't in charge. It had been finding out that governments were not, on the whole, staffed by people who had a grip, and that plans were what people made instead of thinking.
I guess people don't think that young girls or young artists have opinions, but I'm so glad that there's artists like Lorde and Raury and Kehlani because they're showing other people that young people can have an opinion and a voice and do really well with it. I'm glad I can be one of those people.
So don't get cynical. Cynicism didn't put a man on the moon. Cynicism has never won a war, or cured a disease, or built a business, or fed a young mind. Cynicism is a choice. And hope will always be a better choice.
I always want to be doing both to travel as a teacher and lecturer, and to be a musician. I think in this generation institutionalizing the art form and spreading it to the younger generation through education is really important for all artists to have some hand in. Right now in popular culture and the mainstream, it's not a big part at all. I think education by young artists talking to young people, not just older people talking to young people, it gives an experience never felt before. I think over the years it will do a lot for the music.
I think at the end of the day you can do both: make money and stay true to yourself. But a lot of young people look for that fame that some of these huge artists that they see on TV have, not knowing they can do what some of these underground artist are doing which is not selling their souls for a buck.
The question is, do we have a shadow government? And, if we do, who are those intelligent minority that is -- that is guiding us through? And where are they guiding us to? If you skip past all of the puppets and the strings, if you stop looking at the puppets themselves, you have to see who's behind the puppets. Who is choosing the puppets and the players? Who's the puppet master? George Soros.
There's not really too many artists that young girls and young people can look up to and be inspired by. So I take it as my responsibility, sometimes, to be the person who has the voice to give people some truth about what we're doing.
Initially, he worried that he might be going crazy. But then he decided if you felt you were crazy you weren't really crazy because he had heard somewhere that crazy people didn't know they were insane.
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