A Quote by Carolyn Cassady
Helen Weaver’s book was a revelation to me! Although I was a young woman in the fifties, I was there, but I wasn’t there! This is the most graphic, honest, shameless and moving documentary of what the newly liberated women in cities got up to–how they lived, loved and created. Who knew? It is time they did! And here’s how.
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I've got two older sisters, which I think was the best thing but also the worst thing. They dressed me up like a girl, but at the same time, I think they taught me a lot of what they experienced and what they lived through and passed that on to me as a young man and influenced how I approached not only women but people.
I had to learn how to be faithful. When I was dating around and moving from woman to woman, I did not understand and know how to be faithful. Subsequently, once I entered into marriage, I had to learn how to be with one woman. For me, that was the biggest challenge of all.
What I thought we ought to try to do in a book like this is to focus closely on Lincoln, himself, to see what he knew, how he knew it, how he came to make the decisions that he did, and how he implemented them.
I did an internship with Dove when they were doing the 'real beauty' campaign, and I was really inspired by that. Growing up in L.A., being a young woman, and seeing how the media tells young women to be everything you're not, I kind of wrote about that experience.
I've got two older sisters, which I think was the best thing, but also the worst thing. They dressed me up like a girl, but at the same time I think they taught me a lot of what they experienced and what they lived through, and passed that on to me as a young man and influenced how I approached not only women, but people. I got very lucky with the family I was born into. From my older sisters to my mother and father, they're just good, kind-hearted people.
By the time I got to the Fox studio for my first major film, I knew how to hit a mark. I knew how to memorize lines. I knew how to pay attention.
Although the civil-rights movement did a lot to change how black life was dramatized on the American stage in the fifties and sixties, white composers and lyricists often still rely on familiar tropes when it comes to representing black women in musicals.
At the age of 70-something, Helen Gurley Brown was still a woman who knew how to get men to look at her.
The thing that really got me about Janis the most, was how liberated she was. She stood in that power even though it was kind of that platform of blues of being completely tormented, that enabled her to just stand there and let it go at a time when woman were not doing that...she just came out in the completely undone, unwrapped way and I think spoke right out of a woman's soul. Directly.
The one who cares the most wins. ... That's how I knew I'd end up with everyone else waving the white flags and not me. That's how I knew I'd be the last person standing when it was all over. ... I cared the most.
Oh, friend, forget not, when you fain would note In me a beauty that was never mine, How first you knew me in a book I wrote, How first you loved me for a written line.
I grew up in a time when there were very few women in the physical sciences. And people started to ask me, 'How did you decide to become a scientist?' And I couldn't really answer. I always knew I'd grow up to have a lab because my dad had one.
I've spent most of my life in cities, and so I've always lived with the curiosity about what makes for city cultures and how peoples live in cities, how peoples anywhere manage to co-exist, the public life and the private life.
If I get stuck, I look at a book that tells me how someone else did it. I turn the pages, and then I say, 'Oh, I forgot that bit,' then close the book and carry on. Finally, after you've figured out how to do it, you read how they did it and find out how dumb your solution is and how much more clever and efficient theirs is!
Young women don't want to be called feminists because it's not sexy and ah they think that their mothers and grandmothers have achieved everything they want. They don't know how poor women live, how women in rural places live, how 80 percent of women in the world are the poorest of the poor, how still there are 27 million slaves, and most of them women and girls.
I knew from the time I was 6 or 7 that music was something I had to do. Growing up, my parents did everything they knew how to do to support me. My dad was always kinda my roadie; he drove me from gig to gig. But I got my own gigs. I was this 12-year-old kid, shuffling business cards, calling people, telling them I wanted to play.
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