A Quote by Carolyn Hax
I do crosswords when I have time to kill somewhere, and am 100 percent successful on filling in the spots I get stuck on - after I close up, do something else, and then go back to it.
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The time that I devote to painting is not a lot of time, but I do it 100 percent while I am working, and then there's nothing else that counts.
What happens is, when I perform, I'm somewhere else. I go back in time and get in touch with who I really am. I forget my troubles, my worries.
The values my mother taught me were like, if you're going to do something, don't half-ass it. I remember her literally saying that to me. Like the first time I ever heard the term half-ass was coming from my mother's lips. I was probably 8 or 9. If you're going to do something, go ahead and throw 115 percent at it, and if you get 100 percent back, well, there you go - you're perfect.
It's depression. You can't put it into words. You get stuck and time passes by. I'm stood there on the edge of a cliff, can't go back and can't go forward. Days go by. I'm still in the same place. Everyone else's life goes on, but you're stuck. You try and try and try and I don't know how, but you came out of it eventually.
If you want a candidate who agrees with you 100 percent of the time, I'll give you a suggestion: Go home and look in the mirror. You are the only person you agree with 100 percent of the time. You'll always know who I am, you'll always know what I believe and you'll always know where I stand.
In order to succeed in WWE, you're responsible. If you put in 100 percent, you get back 100 percent.
First and foremost, I love Riddick Bowe more than anybody else could love him. If I wasn't 100 percent sure that I was 100 percent sound, I wouldn't jeopardize my life by getting back into the ring.
There's something so awesome about being able to get up in front of a microphone and do exactly what you want. Stand-up is as close as you're ever going to get to being 100 percent in control of a situation artistically, and I don't understand why people wouldn't want to keep doing that.
I leave Hollywood, I go somewhere else and make some music, and then, when I have to go back to work, I try and take as much that I get from outside Hollywood back with me.
If you push in every time there's a big moment, then the tenth time you push in, you're not going to get the same effect. Or if you have too many close ups, then when you have a big moment and you want a close-up in order to make a point, it doesn't mean anything because you've already been doing close-ups. It's like writing in all capitals. Then after a while that doesn't mean anything. So, just because you can do something with a camera doesn't mean you should.
I know you can't play this game 100 percent. It's very rare that you can be able to play this game at 100 percent. You can do one thing; you can't do both: You can't pray and then worry at the same time. I pray, and that's it. And then I just go play. Whatever happens, happens.
I have to feel that I'm going somewhere all the time. By definition, if you have this urge to go places, then you can't be 100 percent happy where you are. It's not like I enjoy being miserable for weeks on end. But I think it's good to be miserable for about one day every third week - that's ideal for me.
I have a sense of urgency, of time. I am a woman and am always running between work, doctors' appointments, school meetings, filling up the fridge, then going back to work. Like everyone who combines professional and family life, I am always doing several things at the same time.
Early in my career, I didn't want to disappoint my colleagues, clients, or family. So I said yes to everything. This ended up raising my stress level and shortchanging everyone else - including myself - because I couldn't give anyone 100 percent of my time, nor could I pay close attention.
When I was on the road full-time, there was about an eight, nine year stretch where I averaged, conservatively, 250 days a year out on the road. That's basically you fly into a town, you get a Rent-A-Car, find a hotel, go to the gym, you eat, you go to the arena, go back to the hotel, you wake up, go to the airport and go somewhere else.
People go to Vegas, and they don't know what to do; here's what you do. You go to the casino in your hotel. On your arrival, you get $100 in quarters. Take that $100 back to your hotel room and stare at it for a long, long time. Why? Because you're never going to see them again. Then you take those quarters to the bathroom and you flush them, one by one by one. And the nice thing about that is that every so often the toilet will back up, and you'll feel like a WINNER!
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