A Quote by Carolyn Kizer

In some ways painters have been more important in my life than writers. Painters teach you how to see—a faculty that usually isn’t highly developed in poets. Whether you take a walk in the woods with a painter, or go to a museum with one, through them you notice shapes, colors, harmonies, relationships that enhance your own seeing.
Painters, especially American painters since the Second World War, have been much more troubled, beset by formal perplexity, than American writers. Theyve been a laboratory for everybody.
Just slap anything on when you see a blank canvas staring you in the face like some imbecile. You don't know how paralyzing that is, that stare of a blank canvas is, which says to the painter, ‘You can't do a thing’. The canvas has an idiotic stare and mesmerizes some painters so much that they turn into idiots themselves. Many painters are afraid in front of the blank canvas, but the blank canvas is afraid of the real, passionate painter who dares and who has broken the spell of `you can't' once and for all.
It is possible that scientists, poets, painters and writers are all members of the same family of people whose gift it is by nature to take those things which we call common-place and to 're-present' them to us - the world - in such ways that our self-imposed limitations are expanded.
For me personally, I love art and artists of all mediums and we've seen madness is more often than not present in the greatest painters, poets, writers, and songwriters in history.
Artist - musicians, painters, writers, poets, always seem to have had the most accurate perception of what is really going on around them, not the official version or the popular perception of contemporary life.
Artists - musicians, painters, writers, poets - always seem to have had the most accurate perception of what is really going on around them, not the official version or the popular perception of contemporary life.
When you talk about painters and you talk about painters painting masterpieces, there is no painter who painted only one painting and that was a masterpiece. You have to do a whole bunch of paintings to get to the place of mastering your craft.
We might adapt for the artist the joke about there being nothing more dangerous than instruments of war in the hands of generals. In the same way, there is nothing more dangerous than justice in the hands of judges, and a paint brush in the hands of a painter! Just think of the danger to society! But today we haven't the heart to expel the painters and poets because we no longer admit to ourselves that there is any danger in keeping them in our midst.
Generally my focus has been on people who make things, whether it's writers or directors or painters or musicians.
I wonder if we are seeing a return to the object in the science-based museum. Since any visitor can go to a film like Jurassic Park and see dinosaurs reawakened more graphically than any museum could emulate, maybe a museum should be the place to have an encounter with the bony truth. Maybe some children have overdosed on simulations on their computers at home and just want to see something solid--a fact of life.
I'm probably much more influenced by film-makers and painters than I am by other songwriters or poets.
Try to walk as much as you can, and keep your love for nature, for that is the true way to learn to understand art more and more. Painters understand nature and love her and teach us to see her. If one really loves nature, one can find beauty everywhere.
When I say be creative I don't mean that you should all go and become great painters and great poets. I simply mean let your life be a painting, let your life be a poem.
Pleasure has ever more been represented by poets and by painters as clothed in perpetual smiles and adorned with the richest jewels; and in real life, we have known many who, allured by her deceptions, blandishments, and hollow but showy temptations, have followed as she pointed until ruin has befallen them.
Abstract and conceptual painters face different demons than representational painters, but neither group has a monopoly on either authenticity or originality.
The majority of (painters), because they aren't colorists, do not see yellow, orange or sulphur in the South (of France) and they call a painter mad if he sees with eyes other than theirs
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