A Quote by Carolyn Porco

Scientists tend to come in two stripes: those who have tremendous appetite and aptitude for the details, and those who illuminate the big picture. Sagan was definitely in the latter category, and he was profoundly good at it. He made connections that others did not have the intellectual breadth or courage to make.
All baseball fans can be divided into two groups: those who come to batting practice and the others. Only those in the first category have much chance of amounting to anything.
I, you know, am all over the place — every category of pictures I have made, good, bad or indifferent. I could not make, like Hitchcock did, one Hitchcock picture after another. … I wanted to do a Hitchcock picture, so I did `Witness for the Prosecution,’ then I was bored with it, so I moved on.
The sad thing about our society is that women are put in one of two categories. You're either in the beautiful category and you're seen as sexy and beautiful, or some version of that, or you're put into another category... The latter category affords women the opportunity to be smart, funny, independent, mean, strong, intelligent and opinionated. We take them seriously as politicians, if they fit into that latter category. We respect their opinions more and give them higher expectations. That latter category is what allows female actors to be characters.
Artists are neurotic and hypersensitive, and they tend to focus on granular details, sometimes at the expense of the big picture. I've gotten better at the big picture over the years.
There are people who are really good managers, people who can manage a big organization, and then there are people who are very analytic or focused on strategy. Those two types don't usually tend to be in the same person. I would put myself much more in the latter camp.
The details are details. They make the product. The connections, the connections, the connections. It will in the end be these details that give the product its life.
The elements of a good story are most definitely details, little bitty details. That does it, especially when you're describing, when you're setting the scene and everything. It's like you're painting a picture, so details are very important. Also, the music gotta be right. The music can really set the tone for the story and let you know what the story is gonna be about, but definitely, it's the vibe in the place where you at and the detail.
I?'d love to see Sting come back. The guys that had the potential to make any money and draw any money, they came. The ones that made it, made it, and the ones that didn?'t, didn?'t. The list of those who made it, there?s lots? the list of those who didn'?t make it are longer then the ones who did.
I think that both here and in England there are two schools of thought--those who would be altruistic in regard to the Germans, hoping that by loving kindness to make them Christian again--and those who would adopt a much tougher attitude. Most decidedly I belong to the latter school, for though I am not blood-thirsty, I want the Germans to know that this time at least they have definitely lost the war.
I did a lot of reading of first person accounts from Koreans and combatants and aid workers. And I spoke to relatives. A lot of wonderful photographs were made available to me from that period - 1950-1956 - and those were given to me by a Korean newspaper in Seoul. Ruined villages, refugees streaming through a river valley, GI's and orphans and orphanages, those tiny details that you can only see in a picture.
What I've always seen in writers and artists is the courage it takes to make an original work of art. I think the real risks in literature are linguistic and intellectual, and I hope we can highlight those, as well as political courage.
People are divided into two classes - those who profit by experience and those who do not. The unfortunate part of it all is that the latter class is by far the larger of the two.
For me, what I've always seen in writers and artists is the courage it takes to make an original work of art. I think the real risks in literature are linguistic and intellectual, and I hope we can highlight those, as well as political courage.
Through every generation of the human race there has been a constant war, a war with fear. Those who have the courage to conquer it are made free and those who are conquered by it are made to suffer until they have the courage to defeat it, or death takes them.
Success is how you collect your minutes. You spend millions of minutes to reach one triumph, one moment, then you spend maybe a thousand minutes enjoying it. If you were unhappy through those millions of minutes, what good is the thousand minutes of triumph? It doesn't equate... Life is made of small pleasures. Good eye contact over the breakfast table with your wife. A moment of touching a friend. Happiness is made of those tiny successes. The big ones come too infrequently. If you don't have all those zillions of tiny successes, the big ones don't mean anything.
The books I made, most of those books were made in the '80s or early '90s. I was reacting emotionally at that time; it wasn't an intellectual thing. I didn't make those things for public presentation; those were for my friends. So I wasn't doing this to be an advocate for what I'm talking about right about now. But I'm realizing I was working properly as an artist, or whatever you want to call it, as somebody that naturally was inquisitive.
This site uses cookies to ensure you get the best experience. More info...
Got it!