A Quote by Carolyn See

I hope someday to see California literature become a part of mainstream American literature, and I hope to be part of that process. — © Carolyn See
I hope someday to see California literature become a part of mainstream American literature, and I hope to be part of that process.
I am fine with my books being categorized as African-American literature but I hope they are also considered Haitian-American literature and American literature. All of these things are part of who I am and what I write.
English is, from my point of view as an Americanist, an ethnicity. And English literature should be studied in Comparative Literature. And American literature should be a discipline, certainly growing from England and France, Germany, Spain, Denmark, and the Native traditions, particularly because those helped form the American canon. Those are our backgrounds. And then we'd be doing it the way it ought to be done. And someday I hope that it will be.
Literature must become party literature. Down with unpartisan litterateurs! Down with the superman of literature! Literature must become a part of the general cause of the proletariat.
One of the things I always underscore when I teach criticism is that young critics, or would be critics, frequently have this illusion that if they write about music they're somehow part of music, or if they write about movies they're part of movies, or of they write about theater they're part of theater, or write about literature. Writing is a part of literature, we belong the species of literature. If you add all the music reviews together that have ever been written, they don't create two notes of music.
I think fantasy literature is the one true literature of hope and imagination.
I never see myself as the famous person. It never was a part of my life, and I hope this doesn't become the most eminent thing about what I do. I just hope that I'll do things that have meaning for me and for others somehow.
Literature has always been a part of my life. I studied history and literature in college. My mother is a novelist; I grew up around books.
I'm a big believer in pairing classics with contemporary literature, so students have the opportunity to see that literature is not a cold, dead thing that happened once but instead a vibrant mode of storytelling that's been with us a long time - and will be with us, I hope, for a long time to come.
Food-addiction, or food-drunkenness, is an old story in Hygienic literature. This is the first mention I have seen of it in "regular" medical literature. I fear to hope that its recognition spells progress.
Most British playwrights of my generation, as well as younger folks, apparently feel somewhat obliged to Russian literature - and not only those writing for theatres. Russian literature is part of the basic background knowledge for any writer. So there is nothing exceptional in the interest I had towards Russian literature and theatre. Frankly, I couldn't image what a culture would be like without sympathy towards Russian literature and Russia, whether we'd be talking about drama or Djagilev.
South African literature is a literature in bondage. It is a less-than-fully-human literature. It is exactly the kind of literature you would expect people to write from prison.
I do lots of reading and speaking at many universities about literature and also about politics, which is as much a part of my life as the literature.
When I went to college, I majored in American literature, which was unusual then. But it meant that I was broadly exposed to nineteenth-century American literature. I became interested in the way that American writers used metaphoric language, starting with Emerson.
Part of my methodological approach is made explicit when I discuss ways in which literature can have philosophical significance. Literature doesn't typically argue - and when it does, it's deadly dull. But literature can supply the frame within which we come to observe and reason, or it can change our frame in highly significant ways. That's one of the achievements I'd claim for Mann, and for Death in Venice.
My works are Chinese literature, which is part of world literature. They show the life of Chinese people as well as the country's unique culture and folk customs.
Great song lyrics are as valid a part of American literature as any novel.
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