A Quote by Carolyn See

Whenever I open a book about jazz, I turn to the index and look for Lennie Tristano, the incredible pianist; Lee Konitz, the luminous alto sax player; and Warne Marsh, the tenor player who captured some of the most beautiful sounds in the world.
Alto (saxophone) is just a very hard instrument; there's so few people that play it really well. I feel it's the best one, too, now. At first I didn't feel that way; I wanted to be a tenor player. It took a long time for me to feel that alto was the most expressive of the saxophones.
When I hear the words jazz pianist, that just means I have the skills to do most things. Because to be a jazz pianist, even to be a bad jazz pianist, you have to be pretty good.
My father was a jazz tenor sax player. He played in a lot of big bands. So I had that sound around me all the time. The first record that really caught my ear was Clifford Brown's 'Brownie Eyes.' I grew up listening to John Coltrane and Illinois Jacquet. This is where I come from... I love improvisational music.
One of my songs was on a jazz station for awhile. It was a song that I wrote for a jazz sax player friend of mine, and I sang and played the guitar on it.
People ask me to describe how I play, and the most obvious answer is that I'm a jazz influenced guitar player. But I'm not a jazz guitar player. Wes Montgomery was a jazz guitarist, Joe Pass was a jazz guitarist (laughs).
Lars Ulrich is not a jazz drummer, but he grew up listening to jazz. Why? Because his father, Torben - an incredible tennis player - loved jazz. Jazz musicians used to stay at their house.
I'm basically a cocktail jazz kind of pianist. I'll be the first to admit that I'm not a very good keyboard player. People think I think I'm good. I think I'm a very poor piano player.
To me, a hockey player has to be every sport rolled into one: ice skater, baseball player, football player, etc. It's just incredible to watch!
I can tell you that the Galacticos era in the early 2000s wasn't just memorable for the fans. It was also incredible to be part of as a player. You would sit in the dressing room, look around you, and see the Ballon d'Or winner, the Spanish player of the year, the top scorer in La Liga, the best goalkeeper in the world.
I kinda always wanted to be a tenor player, but I'm a small guy, and tenor was just too big.
That $27,000 that a young player will now get just for making the main draw at the Australian Open is huge. It can set them up for a couple of months which at that level you really do need that kind of help. It sounds like a lot of money, but when you're travelling the world trying to make it as a tennis player, it doesn't last long.
I've played drums since I was 15. My sisters and I all played instruments. I kind of started with piano and then I actually played saxophone with a jazz band in middle school. So, any knowledge I had of jazz music was from playing alto-sax back then.
When I get the record, all it will make me is the player with the most hits. I'm also the player with the most at bats and the most outs. I never said I was a greater player than Cobb.
When I get the record, all it will make me is the player with the most hits. I'm also the player with the most at bats and the most outs. I never said I was a greater player than (Ty) Cobb.
I would sit in at a jazz brunch [at sweet Basil] with Eddie Chamblee, who was a great tenor player. Really a kind man. The whole band was great.
I bought a tenor but I haven't dedicated the time to it, plus I haven't found a mouthpiece that I like as of yet. I've been doing a lot of mouthpiece searching for the alto in the last few years and now that that's cooled out maybe I can begin the search for a tenor mouthpiece. After doing it for the alto, I just haven't felt like looking for any more mouthpieces. You play both, right?
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