A Quote by Carrie-Anne Moss
Every time I hear about a new show, and I see a show that is being created that is nothing like I've ever thought about, I just get so excited about that expansion. Because I started working when 'L.A. Law' was on. It was lawyers and cops.
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Certainly if it's something you created, like Gargoyles was for me... on the one hand it becomes you and the other writers as well. It's not like it's a one man band by any means, but at the same time when something's really working, when you've got a group of characters that really are clicking and humming, they begin to tell you what happens next. It just all begins to feel right and that was true about Gargoyles. Not true about every show I ever worked on, but it was definitely true about Gargoyles.
Don't just show kindness in passing or to be courteous. Show it in depth, show it with passion, and expect nothing in return. Kindness is not just about being nice; it's about recognizing another human being who deserves care and respect.
The thing that I get most excited about is that it does feel like a new realm of storytelling is being created before everybody's eyes. You can do something that's not exactly a movie and not exactly a TV show, something in between.
It's funny when I hear people complain - particularly about the most fabulous parts of being a designer, like when you're getting ready to work on a show. I don't even know that I'm tired. I could stay up for six days straight! No drugs, no coffee, no nothing. I'm just so excited.
The truth is, people go to shows because they want a show. They want showbiz. When people talk about a show they saw it's not because they heard a song, it's because they were excited and geared up about the show.
It [The Esemblist] is also about the generation of audience members that are watching shows and listening to us at the same time; hopefully, in time, when they listen to our show and then go see a show, they'll realize even more what it takes to make a show, and they'll know even more about everybody on stage, rather than just people above the title of the show.
I think the good thing about 'Take Me Out', which is kind of a compliment to us really, is that when it started doing well round about the second series and people started getting into it, all of a sudden every time you turned over a channel there's a new dating show on.
The only job that ever really worked for me was teaching because you are your own master once you get into the room. You just have to show up on time and talk about what you care about.
Coming off a show like 'Lost,' there were other offers, but it was difficult to get excited about anything because 'Lost' was such a great piece of writing and such a hit show.
I think every time I play, every show is different, and I think that at a certain point a song isn't about you anymore. It's about the audience, it's about how the song has worked its way into other people's lives and that kind of keeps the meaning of the song new, because you see it reflected in other people every night.
Bruce McGill and Sasha Alexander are regulars on the show. That shows that it's not just a typical procedural show. We have these actors because they can come in and actually act, and show the different colors of actual people. No person is just one color. No person is just who they are at their job, 24/7. That was really what I was excited about.
When I was told they wanted the show to be about doctors, I was a bit reluctant to sign on, you know? I thought, why have a show about doctors when we could have a show about the real heroes, you know, like me?
I lay in bed the night before the fishing trip and thought it over, about my being deaf, about the years of not letting on I heard what was said, and I wonder if I can ever act any other way again. But I remembered one thing: it wasn't me that started acting deaf; it was people that first started acting like I was too dumb to hear or see or say anything at all.
I had no interest in being an actress what so ever, and when I was about 14 or 15, I was signed to a company in England. They owned a children's TV show which they put me in as a singer, and I was on the show for three years, and I left the show when I was 18 and started looking for a record contract.
'The Comeback' is my favorite TV show of all-time because it's just brill. It's Lisa Kudrow's show about what it's like to be an actor on a TV show. She's so amazing on it.
"On Script" is one of my favorite songs I've ever written. I'd just been jamming on it one day, and again I was struggling with lyrics. I'm still figuring out what it's about. I've seen a couple of reviews that are like, "It's about the monotony of playing the same songs every night," because I say, "On script every night/Like a well-rehearsed stage show." It's not about that at all, but I find that funny, how people project what they think about me, or songwriters in general.
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