A Quote by Carrie-Anne Moss
'Chocolat' was a joy to make, as we were filming in beautiful locations in France and England. Lasse Hallstrom is such an amazing director - overall it was a wonderful experience.
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When I did 'Gilbert Grape,' Lasse Hallstrom let me be on the set with him and in the editing room and in the casting sessions and so on. And so I got a firsthand, rather intimate, high-pressure look at how to make a film.
Wayne Wang, the director, really helped me become a more mature actress. When I first started filming, I was really over the top. He just helped bring me down and make me real. That was really wonderful, a really wonderful experience. Also, what I learned about filming is it takes forever. I mean, there are so many different angles and shots. I mean, it just takes forever.
As actors you're always afraid to go too far but Lasse Hallstrom wants you to go too far. He wants you to do it wrong, to be over-the-top, and that's so freeing to be able to think 'Now I can try and be bad'. There's no pressure on you and you don't feel you can make a mistake.
As the director, it's just a constant stream of meetings where you meet with all of the creatives who make all of the decisions for every part of the episodes. You're also scouting for locations, deciding on the locations, meeting with your first associate director; mine was Jennifer Truelove. She's one of my favorite people on the planet.
Before I moved to the Isle of Wight, I lived in the suburbs of London and saw 'Fantasia,' and it scared the living daylights out of me. And I didn't go back to the movies until many years later to see a Lasse Hallstrom film.
There are so many beautiful locations in Rajasthan, so many beautiful locations in our India that have not been explored. Foreigners come and explore such places, but we fail to see those locations with that perspective.
It has been a privilege to meet and work with so many great people and, from the workshop to the joy rides, to be allowed to experience so many fabulous cars and amazing locations.
I went straight from filming the second season of 'Survivor's Remorse,' and the creators over there were so supportive in letting me go early so I could film 'Chi-Raq.' And that was an amazing experience.
Colombia is so different to what I know, and every aspect of the country is different to England, and I loved it. I loved the culture and the food, and the coffee was amazing. The place that we were was stunning, and it really was quite an amazing experience to film out there.
With 'Submarin', Richard [Ayoade] gave us a lot of freedom and he really helped us. He's so amazing. It really changed things for me and brought my love for filming and working with people to a completely different level. It really was a wonderful experience.
There are such beautiful locations outside India, and the experience of shooting in Istanbul was awesome.
Even though I studied in New York and I know the American system, I come from France where I learned that with movies in France where the director is king. There's no such thing as a studio edit. It's the director's cut, period.
Working with Ram Gopal Varma is a great experience. He is such a wonderful director and no other director gives freedom to the actors like him.
The marvelous richness of human experience would lose something of rewarding joy if there were no limitations to overcome. The hilltop hour would not be half so wonderful if there were no dark valleys to traverse.
I always felt that we don't have dearth of beautiful locations in our country, but we still don't have proper infrastructure. Because of that, most of the times, we are not able to reach those locations.
Personally, I don't give a toss about French viewers. I make films for foreigners - it's a bit like Ken Loach, who's not very popular in England but has had a lot of success in France. Cinema is always an experience in a foreign body.
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