A Quote by Carrie-Anne Moss

When the fights were over for the second and third 'Matrix,' I thought, 'Okay, I never have to do that again.' It's incredibly stressful. — © Carrie-Anne Moss
When the fights were over for the second and third 'Matrix,' I thought, 'Okay, I never have to do that again.' It's incredibly stressful.
I can honestly say that if I was told at this moment that I was dying, not my first, not my second, but certainly my third thought would be that I should never see Italy again.
They say that moving is one of the most stressful things in life. Death in the family is the second most stressful, and moving your dead spouse is the third.
The first Matrix genius, the second one, what's up with the dancing? I haven't even seen the third one.
Okay, okay, okay. I understood that pushing the elevator button over and over again would not make the elevator appear sooner. But I couldn't help myself
As I saw my 60th birthday approaching, I thought,What did 60 mean to me? I figured I'd probably live until I'm about 90, which meant that I was at the beginning of what I call my third act. As an actress, I know how important the third act is. It makes sense of the first and second acts. You can have first and second acts that are interesting, but you don't know what they mean. Then a good third act pulls it all together. And so I knew that, because I sat by my father's side over the long months when he was dying.
The kingdoms represented by the second and third Beasts, or the Bear and Leopard, are again described by Daniel in his last Prophecy written in the third year of Cyrus over Babylon , the year in which he conquered Persia. For this Prophecy is a commentary upon the Vision of the Ram and He-Goat.
I always talk about shooting being broken down into three things. You have to have some semblance of good form. The second part is repetition: doing things over and over again until you really develop a skillset. And then the third part is confidence. But for me, you can't have confidence without having that second part.
I enjoy a third act, and I like stories with ending. A lot of my frustration with serialized storytelling is a lot of shows don't have a third act. They have an endless second act, and then they find out it's their last year and often have to hustle to invent a third act, but they were never necessarily organically meaning to begin with.
Okay, I am happy with the way I look, but I have never, never, ever thought of myself as a 'pretty girl.' Honestly. When I read some of these scripts I'm sent, and they describe the heroine as 'incredibly beautiful,' I wonder why they sent it to me.
There are things that are about the entire genre, so it's weird when you look on Wikipedia and people say, "The scene where Angel grabs his fist is from Superman II," and you're thinking, "Ummm, no it's not." Or, "There's a shot from Matrix Revolutions." I'm thinking, "I've only seen Matrix Revolutions once, and will never watch it ever again."
Late in the third quarter the Cougars were behind 12-0. Duva had completed 5 out of 20 passes. Edwards looked at Gifford Nielsen. Giff had never done a thing, in practice or anywhere else, to give us confidence in him. . . . . . . the coach said later. He sent him into the game anyway. First play was a 19-yard completion. Second was a 6-yard run. He threw again on the third play to running back Dave Lowry who ran 37 yards for a touchdown.
You can run into people, and they can be someone you thought you were never going to hear from again or never gonna talk to again, and they end up becoming dear friends.
'Speed' and 'Point Break' were a lot of running and jumping, and then 'The Matrix Trilogy' had a lot of fights and wire work and green screen elements.
Pregnancy is a uniquely intimate relationship between two people. All of us luxuriate in this relationship once, and half of us are lucky enough to be able to do it all over again a second time, from the other side as it were. Never again outside of pregnancy can we be so truly intwined with someone else, no matter how hard we try.
The stressful thing about being an actor is, like, you have to kind of audition again and again and again, you know? You go in one time, and you go in again for a director and then again for producers and then again and again and again.
The pain comes from more than the facts of circumstance, or the deeds of others. It comes from within. From understanding what we lost. It comes from knowing how foolish we were - vain, arrogant children - when we thought ourselves happy. It comes from knowing how fragile and doomed the old ways were, just when we thought them and ourselves, secure!. The pain comes from knowing we have never been safe, and therefore will never be safe again. It comes from knowing we can never be children again.
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